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[null,"1.","Record Nr.",null,"UNINA9910452120103321"]
[null,null,"Autore",null,"Covino Deborah Caslav <1960->"]
[null,null,"Titolo",null,"Amending the abject body [[electronic resource] ] : aesthetic makeovers in medicine and culture / / Deborah Caslav Covino"]
[null,null,"Pubbl/distr/stampa",null,"New York, : State University of New York Press, c2004"]
[null,null,"ISBN",null,"0-7914-8433-5"]
[{"$nulls":4},"1-4237-4026-2"]
[null,null,"Descrizione fisica",null,"1 online resource (163 p.)"]
[null,null,"Collana",null,"SUNY series in feminist criticism and theory"]
[null,null,"Disciplina",null,"306.4/613"]
[null,null,"Soggetti",null,"Body image in women"]
[{"$nulls":4},"Self-perception in women"]
[{"$nulls":4},"Women - Physiology"]
[{"$nulls":4},"Human body - Social aspects"]
[{"$nulls":4},"Surgery, Plastic"]
[{"$nulls":4},"Feminist theory"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 137-148) and index."]
[null,"2.","Record Nr.",null,"UNINA9910634098103321"]
[null,null,"Autore",null,"Albera François"]
[null,null,"Titolo",null,"Sergueï Loznitsa : Un cinéma à l’épreuve du monde / Céline Gailleurd, Damien Marguet, Eugénie Zvonkine"]
[null,null,"Pubbl/distr/stampa",null,"Villeneuve d'Ascq, : Presses universitaires du Septentrion, 2022"]
[null,null,"ISBN",null,"2-7574-3609-0"]
[null,null,"Descrizione fisica",null,"1 online resource (274 p.)"]
[null,null,"Soggetti",null,"History"]
[{"$nulls":4},"Film  Radio  Television"]
[{"$nulls":4},"documentaire"]
[{"$nulls":4},"fiction"]
[{"$nulls":4},"histoire"]
[{"$nulls":4},"URSS"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Mondialement reconnue, l’œuvre du réalisateur ukrainien Sergueï Loznitsa s’impose comme l’une des plus singulières et des plus novatrices du champ cinématographique contemporain. Ces dernières années, la multiplication des longs métrages et leur sélection dans les plus grands festivals internationaux (Cannes, Venise et Berlin) ont assuré à son travail un ample rayonnement. Bien qu’en France ses premiers documentaires aient été diffusés dès le début des années 2000, ses films ont longtemps circulé de manière confidentielle et semblaient réservés à un public d’initiés. Aujourd’hui, ce cinéaste est l’auteur d’une œuvre devenue incontournable qui comporte plus de 28 films, courts et longs. Cet ouvrage collectif en propose une première étude globale et approfondie articulant divers points de vue et approches (historique, esthétique, critique, analytique) à travers les textes des quinze contributeurs. L’ouvrage inclut également la transcription d’une masterclass et d’une rencontre avec le cinéaste.  Recognized worldwide, the politically engaged work of the Ukrainian director Sergei Loznitsa has established itself as unique and innovative in the contemporary cinematography."]