{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":2,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":36,"n_cols":5,"rows_kept":36,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[9,2,9,3],[12,2,12,3],[13,2,13,3],[17,2,17,3],[24,2,24,3],[24,4,24,5],[25,2,25,3],[25,4,25,5],[26,2,26,3],[27,2,27,3],[28,2,28,3],[31,2,31,3],[32,2,32,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910452053903321"]
[null,null,"Autore",null,"Menninghaus Winfried"]
[null,null,"Titolo",null,"Disgust [[electronic resource] ] : the theory and history of a strong sensation / / Winfried Menninghaus ; translated by Howard Eiland and Joel Golb"]
[null,null,"Pubbl/distr/stampa",null,"Albany, : State University of New York Press, c2003"]
[null,null,"ISBN",null,"0-7914-8631-1"]
[{"$nulls":4},"1-4175-3877-5"]
[null,null,"Descrizione fisica",null,"1 online resource (480 p.)"]
[null,null,"Collana",null,"SUNY series, Intersections"]
[null,null,"Disciplina",null,"128/.37"]
[null,null,"Soggetti",null,"Aversion"]
[{"$nulls":4},"Aesthetics, Modern"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 453-471)."]
[null,null,"Nota di contenuto",null,"\"\"Disgust\"\"; \"\"Contents\"\"; \"\"Introduction: Between Vomiting and Laughing: Baselines of a Philosophy of Disgust\"\"; \"\"EXPOSITION\"\"; \"\"SUBJECT MATTER AND OBJECTIVES OF THE PRESENT STUDY\"\"; \"\"AUREL KOLNAI, â€œDER EKELâ€? (DISGUST)\"\"; \"\"DEMOCRACY AS A SOURCE OF DISGUST: WILLIAM IAN MILLERâ€?S THE ANATOMY OF DISGUST\"\"; \"\"1. The Disgust Taboo, and the Omnipresence of Disgust in Aesthetic Theory\"\"; \"\"THE BEAUTIFUL AS VOMITIVE\"\"; \"\"AESTHETIC INFINITY AS ANTIVOMITIVE\"\"; \"\"â€œMIXED SENSATIONSâ€? AND THE EXCEPTION OF DISGUST\"\"; \"\"PLEASURE AND DISPLEASURE\"\""]
[{"$nulls":4},"\"\"THE â€œDARKEST OF ALL THE SENSESâ€? AND THE COLLAPSE OF AESTHETIC ILLUSION IN DISGUST\"\"\"\"SEMANTICIZED AND â€œCRUDEâ€? DISGUST\"\"; \"\"2. Disgusting Zones and Disgusting Times: The Construction of the Ideally Beautiful Body\"\"; \"\"THE IDEAL SKIN AND DISGUST AT FOLDS AND WRINKLES, LAYERS OF CARTILAGE AND FAT\"\"; \"\"DISGUSTING DEPTHS AND THE BODYâ€?S OPENINGS\"\"; \"\"FOREVER YOUNG\"\"; \"\"THE GAPING MOUTH\"\"; \"\"NOSE-DISGUST AND THE â€œGREEK PROFILEâ€?\"\"; \"\"THE â€œFLATTENED EARâ€?\"\"; \"\"â€œDISGUSTING BREASTSâ€? AND IDEAL â€œHILLSâ€?\"\"; \"\"INVISIBILITY, UNSEEN NAKEDNESS, AND â€œWETTED GARMENTSâ€?\"\""]
[{"$nulls":4},"\"\"A BODY â€œWITHOUT A BELLYâ€?\"\"\"\"THE â€œSPARE BEHINDâ€?\"\"; \"\"EXCISION, CASTRATION, HERMAPHRODITIZATION: THE PHALLUS IN THE FIELD OF THE BEAUTIFUL\"\"; \"\"THE â€œHYPERGIGANTICâ€? SEX OF "]
[{"$nulls":4},"THE â€œCOLOSSAL WOMANâ€?\"\"; \"\"WOUNDS, DISMEMBERED LIMBS, FLAYED SKIN: THE BODY AS A â€œDISGUSTING THINGâ€?\"\"; \"\"BEAUTIFUL DEATH AND DISGUSTING DECAY\"\"; \"\"THE UGLY OLD LADY\"\"; \"\"REPRESSION OR DIFFERENTIATION?\"\"; \"\"DISGUST, PURITY, AND IMPURITY IN THE AESTHETIC\"\"; \"\"3. â€œStrong Vital Sensationâ€? and Organon of Philosophy: The Judgment of Disgust in Kant\"\"; \"\"DISGUST AND PLEASURE\"\""]
[{"$nulls":4},"\"\"DISGUST AS A GOAL OF EDUCATION\"\"\"\"SMELL, TASTE, AND THE â€œVITAL SENSATIONâ€? OF DISGUST\"\"; \"\"DISGUST, LAUGHTER, AND â€œDARK CONCEPTIONSâ€?\"\"; \"\"DISGUST AS AN ORGANON OF INTELLECTUAL CRITIQUE\"\"; \"\"DISGUST AS ORGANON OF PRACTICAL ACTION\"\"; \"\"DISGUST, HAPPINESS AND UNHAPPINESS, ENNUI\"\"; \"\"4. Poetry of Putrefaction: â€œBeautiful Disgustâ€? and the Pathology of the â€œRomanticâ€?\"\"; \"\"CLASSICAL DISGUST AND THE BASIC ALTERATIONS OF THE AESTHETIC FIELD AROUND 1800\"\"; \"\"THE DISGUSTING AS STIMULUS-INCREASE AND RECIPE OF MODERN â€œSHOCKâ€?-AESTHETICS\"\""]
[{"$nulls":4},"\"\"THE LICENSE OF â€œDISGUSTING IMPOTENCEâ€? AND THE DECAY OF THE NEGATIVE PRINCIPLE\"\"\"\"DISGUSTING SOULS, DISGUSTING TIMES, AND THE ART OF THE DISGUSTING: THE â€œROMANTICâ€? UBIQUITY OF THE ONCE-TABOOD\"\"; \"\"ROSENKRANZ ON THE DISGUSTING (1): PUTREFACTION AS AN â€œINVERSE BECOMING OF THE ALREADY DEADâ€?\"\"; \"\"BAUDELAIREâ€?S POEM â€œUNE CHAROGNEâ€?\"\"; \"\"ROSENKRANZ ON THE DISGUSTING (2): THE RETURN OF INDIGESTIBILITY IN THE SYSTEM OF DIALECTIC APPROPRIATION\"\"; \"\"5. The â€œNoâ€? of Disgust and Nietzscheâ€?s â€œTragedyâ€? of Knowledge\"\""]
[{"$nulls":4},"\"\"PLATO, JESUS, AND MORALS AS WORLD-HISTORICAL AGENTS OF DISGUST\"\""]
[null,"2.","Record Nr.",null,"UNISA996387169003316"]
[null,null,"Titolo",null,"By the King [[electronic resource] ] : an abstract of the seuerall heads and branches of His Maiesties commission of grace, for the securing, setling, and confirming to his subiects their defectiue titles, estates and possessions, by which His Maiesties commissioners haue power to compound"]
[null,null,"Pubbl/distr/stampa",null,"Imprinted at London, : By Bonham Norton and Iohn Bill, Printers to the Kings most Excellent Maiestie, Anno M.DC.XXVIII [1628]"]
[null,null,"Descrizione fisica",null,"1 sheet ([1] p.)"]
[null,null,"Soggetti",null,"Land tenure - Law and legislation - Great Britain"]
[{"$nulls":4},"Copyhold"]
[{"$nulls":4},"Great Britain History Charles I, 1625-1649"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Reproduction of original in: Henry E. Huntington Library and Art Gallery."]
[null,null,null,"Sommario/riassunto","eebo-0113"]