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[null,"1.","Record Nr.",null,"UNINA9910451974003321"]
[null,null,"Autore",null,"Block Geoffrey Holden <1948->"]
[null,null,"Titolo",null,"Richard Rodgers [[electronic resource] /] / Geoffrey Block"]
[null,null,"Pubbl/distr/stampa",null,"New Haven, : Yale University Press, c2003"]
[null,null,"ISBN",null,"1-281-74097-7"]
[{"$nulls":4},"9786611740979"]
[{"$nulls":4},"0-300-12754-5"]
[null,null,"Descrizione fisica",null,"1 online resource (336 p.)"]
[null,null,"Collana",null,"Yale Broadway masters"]
[null,null,"Disciplina",null,"782.1/4/092"]
[{"$nulls":4},"B"]
[null,null,"Soggetti",null,"Compositeurs - Biographies - États-Unis"]
[{"$nulls":4},"MUSIC / General"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and indexes."]
[null,null,"Nota di contenuto",null,"From apprentice to musical dramatist -- A tale of two Connecticut Yankees -- Hits, long runs, and a musical comedy of errors -- World War II, the musical : South Pacific -- Broadway comes to television : the three Cinderellas -- After Hammerstein."]
[null,null,null,"Sommario/riassunto","Richard Rodgers was an icon of the musical theater, a prolific composer whose career spanned six decades and who wrote more than a thousand songs and forty shows for the American stage. In this absorbing book, Geoffrey Block examines Rodgers's entire career, providing rich details about the creation, staging, and critical reception of some of his most popular musicals. Block traces Rodgers's musical education, early work, and the development of his musical and dramatic language. He focuses on two shows by Rodgers and Hart (A Connecticut Yankee and The Boys from Syracuse) and two by Rodgers and Hammerstein (South Pacific and Cinderella), offering new insights into each one. He concludes with the first serious look at the five neglected and often maligned musicals that Rodgers composed in the 1960's and 1970's, after the death of Hammerstein."]