{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":22,"n_cols":5,"rows_kept":22,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[8,2,8,3],[9,2,9,3],[10,2,10,3],[14,2,14,3],[15,2,15,3],[19,2,19,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910451863203321"]
[null,null,"Autore",null,"Gjerdingen Robert O"]
[null,null,"Titolo",null,"Music in the galant style [[electronic resource] /] / Robert O. Gjerdingen"]
[null,null,"Pubbl/distr/stampa",null,"New York, : Oxford University Press, 2007"]
[null,null,"ISBN",null,"1-281-16379-1"]
[{"$nulls":4},"9786611163792"]
[{"$nulls":4},"0-19-971836-9"]
[{"$nulls":4},"1-4356-3884-0"]
[null,null,"Descrizione fisica",null,"1 online resource (792 p.)"]
[null,null,"Disciplina",null,"780.9/033"]
[null,null,"Soggetti",null,"Music - Europe - 18th century - History and criticism"]
[{"$nulls":4},"Style, Musical"]
[{"$nulls":4},"Musical analysis"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes index."]
[null,null,"Nota di contenuto",null,"Cover Page; Title Page; Copyright Page; Dedication; Acknowledgments; Contents; 1 Introduction; 2 The Romanesca; 3 The Prinner; 4 The Fonte; 5 A Minuet; 6 The Do-Re-Mi; 7 The Monte; 8 A Theme And Variations; 9 The Meyer; 10 A Theme And Variations; 11 Clausulae; 12 An Andante; 13 The Quiescenza; 14 The Ponte; 15 A Grave Sostenuto; 16 The Fenaroli; 17 An Allegro; 18 The Sol-Fa-Mi; 19 An Andante; 20 The Indugio; 21 A Cantabile; 22 A Larghetto; 23 An Andantino; 24 An Andantino Affettuoso; 25 The Child Mozart; 26 An Allegro; 27 II Filo: A Poco Adagio; 28 A Model Adagio; 29 A Model Allegro"]
[{"$nulls":4},"30 Summary And CadenzaAppendix A: Schema Prototypes; Appendix B: Partimenti; Notes; Index Of Music Sources; General Index"]
[null,null,null,"Sommario/riassunto","Music in the Galant Style is an authoritative and readily understandable study of the core compositional style of the eighteenth century. Gjerdingen adopts a unique approach, based on a massive but little-known corpus of pedagogical workbooks used by the most influential teachers of the century, the Italian partimenti. He has brought this vital repository of compositional methods into confrontation with a set of schemata distilled from an enormous body of eighteenth-century music, much of it known only to specialists, formative of the \"\"galant style.\"\""]