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[null,"1.","Record Nr.",null,"UNINA9910451748703321"]
[null,null,"Titolo",null,"Postcommunist film-- Russia, Eastern Europe and world culture : moving images of postcommunism / / edited by Lars Kristensen"]
[null,null,"Pubbl/distr/stampa",null,"New York, N.Y. : , : Routledge, , 2012"]
[null,null,"ISBN",null,"1-136-47556-7"]
[{"$nulls":4},"0-203-13115-0"]
[null,null,"Descrizione fisica",null,"1 online resource (217 p.)"]
[null,null,"Collana",null,"Routledge contemporary Russia and Eastern Europe series"]
[null,null,"Disciplina",null,"302.23/430947"]
[null,null,"Soggetti",null,"Motion pictures - Social aspects - Russia (Federation)"]
[{"$nulls":4},"Motion pictures - Political aspects - Russia (Federation)"]
[{"$nulls":4},"Motion pictures - Social aspects - Europe, Eastern"]
[{"$nulls":4},"Motion pictures - Political aspects - Europe, Eastern"]
[{"$nulls":4},"Post-communism - Social aspects - Russia (Federation)"]
[{"$nulls":4},"Post-communism - Social aspects - Europe, Eastern"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Front Cover; Postcommunist Film - Russia, Eastern Europe and World Culture; Copyright Page; Contents; Figures; Foreword; Acknowledgements; Notes on contributors; Introduction: Lars Kristensen; Part l: Cultural strategies, industry and reception; 1. National identity in post-9/11 transnational cinema: Jasmijn Van Gorp; 2. Baltic cinema: Zoe Aiano; 3. Belgrade as New York: Vlastimir Sudar; 4. 'Haven't you heard of internationalism?': Ros Gray; 5. The remains of socialist realism: Lars Kristensen; 6. Spotting the eagle on Anglophone turf: Bruce Williams; Part ll: People, place and nation"]
[{"$nulls":4},"7. Demolish, preserve or beautify: Ewa Mazierska8. Treading new paths: Sune Bechmann Pedersen; 9. The crime that changed Serbia: Nevena Daković; 10. Projected nation and projected self: Yun-Hua Chen; 11. Truancy, or thought from the provinces: Yün Peng; 12. Representations of former USSR and Eastern European identity in Turkish cinema: Serazer Pekerman; References; Index"]
[null,null,null,"Sommario/riassunto","A post-communist condition has arisen from the fall of the Berlin Wall and later the Soviet Empire: this book looks at how this condition has manifested itself globally in the production of post-communist film. It "]
[{"$nulls":4},"argues post-communism is a shared experience on a geopolitical level, unlimited by national state borders, and examines post-communist cross culturalism and global totalitarianism within film.The book examines different national cinemas and dissimilar cinematic modes - from Russian blockbuster cinema to Chinese independent cinema; from Serbian city films to revolutio"]
[null,"2.","Record Nr.",null,"UNICAMPANIAVAN0066773"]
[null,null,"Titolo",null,"9.4: Fontes : Ra-Re"]
[null,null,"Pubbl/distr/stampa",null,"Romae, : apud Istituto storico italiano per il Medio Evo, 2003"]
[null,null,"Descrizione fisica",null,"P. 388-506 ; 28 cm."]
[null,null,"Lingua di pubblicazione",null,"Latino"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]