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[null,"1.","Record Nr.",null,"UNINA9910451638403321"]
[null,null,"Autore",null,"Lechte John"]
[null,null,"Titolo",null,"Genealogy and ontology of the Western image and its digital future / / John Lechte"]
[null,null,"Pubbl/distr/stampa",null,"New York : , : Routledge, , 2012"]
[null,null,"ISBN",null,"1-280-66041-4"]
[{"$nulls":4},"9786613637345"]
[{"$nulls":4},"0-203-12184-8"]
[{"$nulls":4},"1-136-32983-8"]
[null,null,"Descrizione fisica",null,"1 online resource (217 p.)"]
[null,null,"Collana",null,"Routledge advances in art and visual studies ; ; 3"]
[null,null,"Disciplina",null,"701"]
[null,null,"Soggetti",null,"Art - Philosophy"]
[{"$nulls":4},"Image (Philosophy)"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Cover; Genealogy and Ontology of the Western Image and its Digital Future; Copyright; Dedication; Contents; List of Figures; Acknowledgements; Introduction-'Genealogy', 'Ontology', 'Western Image' and the 'Digital'; Part I: Genealogy and Ontology (Paradigms); 1.The Image in Plato and the Greek World; PART 1; PART 2; PART 3; 2. The Byzantine Image; 3. The Renaissance Image; 4. Transparency and Opacity-The Image in Rousseau, Diderot, Hume and Kant; 5. The Industrial Image; Part II: The Image in Photography and Cinema and its Digital Future"]
[{"$nulls":4},"6. Some Fallacies and Truths Concerning the Image in Old and New Media7. Barthes and Benjamin on the Photographic Image and Time; 8. The Image and Beauty in Relation to Visual Digital Art; 9. The Time-Image; Notes; References; Index"]
[null,null,null,"Sommario/riassunto","With the emerging dominance of digital technology, the time is ripe to reconsider the nature of the image. Some say that there is no longer a phenomenal image, only disembodied information (0-1) waiting to be configured. For photography, this implies that a faith in the principle of an \"\"evidential force\"\" - of the impossibility of doubting that the subject was before the lens - is no longer plausible. Technologically speaking, we have arrived at a point where the manipulation of the image is an ever-present possibility, when once it was difficult, if not impossible."]
[{"$nulls":4},"What are the key"]