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[null,"1.","Record Nr.",null,"UNINA9910451599003321"]
[null,null,"Autore",null,"Kooser Ted"]
[null,null,"Titolo",null,"Valentines [[electronic resource] /] / Ted Kooser ; with a new introduction by the poet ; Illustrated by Robert Hanna"]
[null,null,"Pubbl/distr/stampa",null,"Lincoln, : University of Nebraska Press, 2008"]
[null,null,"ISBN",null,"1-281-21353-5"]
[{"$nulls":4},"9786611213534"]
[{"$nulls":4},"0-8032-1858-3"]
[null,null,"Descrizione fisica",null,"1 online resource (65 p.)"]
[null,null,"Disciplina",null,"811/.54"]
[null,null,"Soggetti",null,"Valentine's Day"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"Title Page; Copyright Page; Author's Note; Illustrator's Note; Pocket Poem; A Perfect Heart; Chocolate Checkers; A Heart of Gold; Home Storage Barns; Barn Owl; Song of the Ironing Board; In a Light Late-Winter Wind; The Celery Heart; For you, friend,; In the Alley; Tracks; The Bluet; If you feel Sorry; A Map of the World; Inventory; Skater; Screech Owl; Splitting an Order; A New Potato; Oh, Mariachi Me; This Paper Boat; The Hog-nosed Snake"]
[null,null,null,"Sommario/riassunto","For Valentine's Day 1986, Ted Kooser wrote \"Pocket Poem\" and sent the tender, thoughtful composition to fifty women friends, starting an annual tradition that would persist for the next twenty-one years. Printed on postcards, the poems were mailed to a list of recipients that eventually grew to more than 2,500 women all over the United States. Valentines collects Kooser's twenty-two years of Valentine's Day poems, complemented with illustrations by Robert Hanna and a new poem appearing for the first time."]
[null,"2.","Record Nr.",null,"UNINA9910169185803321"]
[null,null,"Autore",null,"Adler Aurélie"]
[null,null,"Titolo",null,"Éclats des vies muettes / / Aurélie Adler"]
[null,null,"Pubbl/distr/stampa",null,"Paris, : Presses Sorbonne Nouvelle, 2017"]
[null,null,"ISBN",null,"2-87854-758-6"]
[null,null,"Descrizione fisica",null,"330 p. ; ; 24 cm"]
[null,null,"Soggetti",null,"French literature - 20th century - History and criticism"]
[{"$nulls":4},"Other (Philosophy) in literature"]
[{"$nulls":4},"Identity (Psychology) in literature"]
[{"$nulls":4},"Marginality, Social, in literature"]
[{"$nulls":4},"Minorities in literature"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [317]-324) and index."]
[null,null,null,"Sommario/riassunto","Les récits de vie d'Annie Ernaux, Pierre Michon, Pierre Bergounioux et François Bon témoignent des figures oubliées de l'arbre généalogique et des laissés pour compte de la société contemporaine. En écho aux mutations épistémologiques des sciences humaines dans les années 1960-1970, ces auteurs entendent écrire l'Histoire non plus du point de vue des hommes illustres, mais du point de vue des anonymes. La mise en récit des sans-voix participe d'un renouvellement des paradigmes de la narration dans les dernières décennies du XXe siècle. Les figures sans histoire induisent en effet des processus de réduction et de marginalisation du genre romanesque. La trame des vies muettes se déroule sur le mode de l'éclat, bribes de la mémoire ou jaillissement incisif d'un réel à vif. La ténuité des archives, le soupçon éthique et poétique qui porte sur la reconfiguration narrative de ces vies réelles conduisent l'écrivain à délaisser les formes périmées du roman réaliste. Ils le poussent à questionner l'écart social et culturel avec ces demi-autres, mués en autant de miroirs de soi en éclats. Ces narrations au genre hybride font apparaître une figure d'auteur problématique, latérale et brisée, nourrie d'une incertitude épistémique majeure. Ces identités narratives diffractées - celles des personnages comme des auteurs - interrogent en retour l'histoire de la littérature, sa place et sa puissance de résistance dans la société d'aujourd'hui."]