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[null,"1.","Record Nr.",null,"UNINA9910455204703321"]
[null,null,"Autore",null,"Iriye Akira"]
[null,null,"Titolo",null,"Power and culture [[electronic resource] ] : the Japanese-American War, 1941-1945 / / Akira Iriye"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge, MA ; ; London, : Harvard University Press, 1981"]
[null,null,"ISBN",null,"0-674-03897-5"]
[null,null,"Descrizione fisica",null,"ix, 304 p"]
[null,null,"Disciplina",null,"940.5352"]
[null,null,"Soggetti",null,"World War, 1939-1945 - United States"]
[{"$nulls":4},"World War, 1939-1945 - Japan"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliography (p. 287-295) and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- PREFACE -- CONTENTS -- Maps -- 1 The End of Uncertainty -- 2 Abortive New Order -- 3 Redefining War Aims -- 4 Japanese-American Rapprochement -- 5 The Making of Postwar Asia -- 6 Conclusion -- Notes -- Bibliography -- Index"]
[null,"2.","Record Nr.",null,"UNINA9910451399703321"]
[null,null,"Autore",null,"Skantze P. A. <1957, >"]
[null,null,"Titolo",null,"Stillness in motion in the seventeenth-century theatre / / P.A. Skantze"]
[null,null,"Pubbl/distr/stampa",null,"London ; ; New York : , : Routledge, , 2003"]
[null,null,"ISBN",null,"1-134-44727-2"]
[{"$nulls":4},"0-415-46013-1"]
[{"$nulls":4},"0-203-38069-X"]
[{"$nulls":4},"1-280-03752-0"]
[null,null,"Descrizione fisica",null,"1 online resource (220 p.)"]
[null,null,"Collana",null,"Routledge studies in Renaissance literature and culture ; ; 1"]
[null,null,"Disciplina",null,"822/.409"]
[null,null,"Soggetti",null,"English drama - 17th century - History and criticism"]
[{"$nulls":4},"Drama - Technique"]
[{"$nulls":4},"Theater - England - History - 17th century"]
[{"$nulls":4},"Quietude in literature"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [187]-201) and index."]
[null,null,"Nota di contenuto",null,"Cover; Title Page; Copyright Page; Table of Contents; Acknowledgments; Introduction; Prologue: Making sense; 1 Permanently moving: Ben Jonson and the design of a lasting performance; 2 Predominantly still: John Milton and the sacred persuasions of performance; 3 Theatrically pressed: Pamphletheatre and the performance of a nation; 4 Decidedly moving: Aphra Behn and the staging of paradoxical pleasures; 5 Perpetually stilled: Jeremy Collier and John Vanbrugh on bonds, women, and soliloquies; Epilogue: Making space; Notes; Bibliography; Index"]
[null,null,null,"Sommario/riassunto","Stillness in Motion in the Seventeenth Century Theatre provides a comprehensive examination of this aesthetic theory. The author investigates this aesthetic history as a form of artistic creation, philosophical investigation, a way of representing and manipulating ideas about gender and a way of acknowledging, reinforcing and making a critique of social values for the still and moving, the permanent and elapsing. The book's analysis covers the entire seventeenth-century with chapters on the work of Ben Jonson, John Milton, the pamphletheatre, Aphra Behn, John Vanbrugh and Jeremy C"]