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[null,"1.","Record Nr.",null,"UNINA9910451378703321"]
[null,null,"Autore",null,"Ackerman Susan"]
[null,null,"Titolo",null,"When heroes love [[electronic resource] ] : the ambiguity of eros in the stories of Gilgamesh and David / / Susan Ackerman"]
[null,null,"Pubbl/distr/stampa",null,"New York, : Columbia University Press, c2005"]
[null,null,"ISBN",null,"0-231-50725-9"]
[null,null,"Descrizione fisica",null,"1 online resource (373 p.)"]
[null,null,"Collana",null,"Gender, theory, and religion"]
[null,null,"Disciplina",null,"809/.93353"]
[null,null,"Soggetti",null,"Homosexuality in literature"]
[{"$nulls":4},"Homosexuality in the Bible"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 301-326) and indexes."]
[null,null,"Nota di contenuto",null,"Front matter -- Contents -- Abbreviations -- Prologue -- 1. Of Greeting Cards and Methods: Understanding Ancient Near Eastern Sex -- The Mesopotamian Epic of Gilgamesh -- 2. Introducing Gilgamesh -- 3. Gilgamesh and Enkidu -- 4. The Liminal Hero, Part 1 -- 5. The Liminal Hero, Part 2 -- The Biblical Story of David and Jonathan -- 6. Introducing David -- 7. David and Jonathan -- 8. Liminality and Beyond -- Epilogue -- Notes -- Bibliography -- Index -- Citation Index"]
[null,null,null,"Sommario/riassunto","Toward the end of the Mesopotamian Epic of Gilgamesh King Gilgamesh laments the untimely death of his comrade Enkidu, \"my friend whom I loved dearly.\" Similarly in the Bible, David mourns his companion, Jonathan, whose \"love to me was wonderful, greater than the love of women.\" These passages, along with other ambiguous erotic and sexual language found in the Gilgamesh epic and the biblical David story, have become the object of numerous and competing scholarly inquiries into the sexual nature of the heroes' relationships. Susan Ackerman's innovative work carefully examines the stories' sexual and homoerotic language and suggests that its ambiguity provides new ways of understanding ideas of gender and sexuality in the ancient Near East and its literature. In exploring the stories of Gilgamesh and Enkidu and David and Jonathan, Ackerman cautions against applying modern conceptions of homosexuality to these relationships. Drawing on historical and literary criticism, Ackerman's close readings analyze the stories of David and Gilgamesh in light of contemporary definitions of sexual relationships and gender roles. She argues that these male "]
[{"$nulls":4},"relationships cannot be taken as same-sex partnerships in the modern sense, but reflect the ancient understanding of gender roles, whether in same- or opposite-sex relationships, as defined as either active (male) or passive (female). Her interpretation also considers the heroes' erotic and sexual interactions with members of the opposite sex. Ackerman shows that the texts' language and erotic imagery suggest more than just an intense male bonding. She argues that, though ambiguous, the erotic imagery and language have a critical function in the texts and serve the political, religious, and aesthetic aims of the narrators. More precisely, the erotic language in the story of David seeks to feminize Jonathan and thus invalidate his claim to Israel's throne in favor of David. In the case of Gilgamesh and Enkidu, whose egalitarian relationship is paradoxically described using the hierarchically dependent language of sexual relationships, the ambiguous erotic language reinforces their status as liminal figures and heroes in the epic tradition."]
[null,"2.","Record Nr.",null,"UNISA996248315203316"]
[null,null,"Autore",null,"Trippett David <1980->"]
[null,null,"Titolo",null,"Wagner's melodies : aesthetics and materialism in German musical identity / / David Trippett [[electronic resource]]"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge : , : Cambridge University Press, , 2013"]
[null,null,"ISBN",null,"1-139-88851-X"]
[{"$nulls":4},"1-107-06496-1"]
[{"$nulls":4},"1-107-05656-X"]
[{"$nulls":4},"1-107-05445-1"]
[{"$nulls":4},"1-107-05766-3"]
[{"$nulls":4},"1-139-01370-X"]
[{"$nulls":4},"1-107-05891-0"]
[{"$nulls":4},"1-107-05547-4"]
[null,null,"Descrizione fisica",null,"1 online resource (xiv, 448 pages) : digital, PDF file(s)"]
[null,null,"Disciplina",null,"782.1092"]
[null,null,"Soggetti",null,"Music - 19th century - Philosophy and aesthetics"]
[{"$nulls":4},"Melody"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from publisher's bibliographic system (viewed on 05 Oct 2015)."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"German melody -- Melodielehre? -- Wagner in the melodic workshop -- Excursus : Bellini's Sinnlichkeit, Wagner's Italy -- Hearing voices : Wilhelmine Schroder-Devrient and the Lohengrin recitatives -- Vowels, voices, and \"original truth\" -- Wagner's material expression."]
[null,null,null,"Sommario/riassunto","Since the 1840s, critics have lambasted Wagner for lacking the ability to compose melody. But for him, melody was fundamental - 'music's only form'. This incongruity testifies to the surprising difficulties during the nineteenth century of conceptualizing melody. Despite its indispensable place in opera, contemporary theorists were unable even to agree on a definition for it. In Wagner's Melodies, David Trippett re-examines Wagner's central aesthetic claims, placing the composer's ideas about melody in the context of the scientific discourse of his age: from the emergence of the natural sciences and historical linguistics to sources about music's stimulation of the body and inventions for 'automatic' composition. Interweaving a rich variety of material from the history of science, music theory, music criticism, private correspondence and court reports, Trippett uncovers a new and "]
[{"$nulls":4},"controversial discourse that placed melody at the apex of artistic self-consciousness and generated problems of urgent dimensions for German music aesthetics."]
[null,"3.","Record Nr.",null,"UNINA9910716295703321"]
[null,null,"Titolo",null,"Fifteenth annual report of the Boy Scouts of America 1924"]
[null,null,"Pubbl/distr/stampa",null,"[Washington, D.C.] : , : [U.S. Government Printing Office], , 1926"]
[null,null,"Descrizione fisica",null,"1 online resource (196 pages) : illustrations, tables"]
[null,null,"Collana",null,"House document / 69th Congress, 1st session. House ; ; no. 109"]
[{"$nulls":4},"[United States congressional serial set ] ; ; [serial no. 8564]"]
[null,null,"Soggetti",null,"Corporation reports"]
[{"$nulls":4},"Scouting (Youth activity)"]
[{"$nulls":4},"Associations, institutions, etc"]
[{"$nulls":4},"Legislative materials."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Batch processed record: Metadata reviewed, not verified. Some fields updated by batch processes."]
[{"$nulls":4},"FDLP item number not assigned."]