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[null,"1.","Record Nr.",null,"UNINA9910451270103321"]
[null,null,"Titolo",null,"The couch and the silver screen : psychoanalytic reflections on European cinema / / edited by Andrea Sabbadini"]
[null,null,"Pubbl/distr/stampa",null,"Hove, East Sussex ; ; New York : , : Brunner-Routledge, , 2003"]
[null,null,"ISBN",null,"0-203-01391-3"]
[{"$nulls":4},"1-280-05991-5"]
[{"$nulls":4},"1-135-44452-8"]
[null,null,"Descrizione fisica",null,"1 online resource (xx, 258 pages)"]
[null,null,"Collana",null,"New library of psychoanalysis ; ; 44"]
[null,null,"Disciplina",null,"791.4375019"]
[null,null,"Soggetti",null,"Mass Media"]
[{"$nulls":4},"Behavioral Disciplines and Activities"]
[{"$nulls":4},"Audiovisual Aids"]
[{"$nulls":4},"Communications Media"]
[{"$nulls":4},"Teaching Materials"]
[{"$nulls":4},"Educational Technology"]
[{"$nulls":4},"Information Science"]
[{"$nulls":4},"Technology"]
[{"$nulls":4},"Technology, Industry, and Agriculture"]
[{"$nulls":4},"Psychoanalytic Interpretation"]
[{"$nulls":4},"Motion Pictures"]
[{"$nulls":4},"Music, Dance, Drama & Film"]
[{"$nulls":4},"Film"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and indexes."]
[null,null,"Nota di contenuto",null,"part, Set and stage -- chapter INTRODUCTION / Andrea Sabbadini -- chapter 1 THE INNER AND OUTER WORLDS OF THE FILMMAKER’S TEMPORARY SOCIAL STRUCTURE / BERNARDO BERTOLUCCI FIONA SHAW -- chapter 2 One in the Eye from Sam: Samuel Beckett’s Film (1964) and his contribution to our vision in theatre, cinema and psychoanalysis / Ian Christie Juliet Stevenson Helen Taylor Robinson -- part, Working through trauma -- chapter 3 Sons and fathers: a room of their own – Nanni Moretti’s The Son’s Room (2001) / NANNI MORETTI PAOLA GOLINELLI -- chapter 4 Witness and persecution in two short films: Miguel Sapochnik’s The Dreamer (2001) and Lindy Heymann’s "]
[{"$nulls":4},"Kissing Buba (2001) JED SEKOFF / Jed Sekoff -- chapter 5 A post-postmodern Walkyrie: psychoanalytic considerations on Tom Tykwer’s Run, Lola, Run (1998) / Annegret Mahler-Bungers -- chapter 6 Thomas Vinterberg’s Festen (1998): an attempt to avoid madness through denunciation / Liliana Pedrón de Martín -- chapter 7 István Szabó’s Sunshine (1999): the cinematic representation of historical and familial trauma / Diana Diamond -- part, Horror perspectives -- chapter 8 NOTES ON THE RELEVANCE OF PSYCHOANALYTIC THEORY TO EURO-HORROR CINEMA / Steven Jay Schneider -- chapter 9 Dario Argento’s Phenomena (1985): a psychoanalytic perspective on the ‘horror film’ genre and adolescent development / Donald Campbell -- chapter 10 Freedom through re-introjection: a Kleinian perspective on Dominik Moll’s Harry: He’s Here to Help (2000) / Candy Aubry -- chapter 11 Cinema, horror and the abominations of hell: Carl-Theodor Dreyer’s Vampyr (1931) and Lucio Fulci’s The Beyond (1981) / Michael Grant -- part, Documenting internal worlds -- chapter 12 Narratives and documentaries: an encounter with Michael Apted and his films / Michael Apted Helen Taylor Robinson -- chapter 13 THE CINEMATIC DREAM-WORK OF INGMAR BERGMAN’S WILD STRAWBERRIES (1957) / Elizabeth Cowie -- chapter 14 Film as an abreaction of totalitarianism:Vinko Bresˇan’s Marshal Tito’s Spirit (1999) LJILJANA FILIPOVI C´ / Ljiljana Filipovic´ -- chapter 15 Documentary directors and their protagonists: a transferential / countertransferential relationship? Timna Rosenheimer’s Fortuna (2000) and Michal Aviad’s Ever Shot Anyone? (1995) / EMANUEL BERMAN TIMNA ROSENHEIMER -- chapter 16 FILMING PSYCHOANALYSIS: FEATURE OR DOCUMENTARY? Two contributions / Hugh Brody Michael Brearley."]