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[null,"1.","Record Nr.",null,"UNINA9910451152003321"]
[null,null,"Autore",null,"Calè Luisa"]
[null,null,"Titolo",null,"Fuseli's Milton gallery [[electronic resource] ] : 'turning readers into spectators' / / Luisa Calè"]
[null,null,"Pubbl/distr/stampa",null,"Oxford ; ; New York, : Clarendon Press"]
[{"$nulls":4},"New York, : Published in the United States by Oxford University Press, 2006"]
[null,null,"ISBN",null,"1-280-75503-2"]
[{"$nulls":4},"0-19-151486-1"]
[null,null,"Descrizione fisica",null,"1 online resource (290 p.)"]
[null,null,"Collana",null,"Oxford English monographs"]
[null,null,"Disciplina",null,"820.9/005"]
[null,null,"Soggetti",null,"English literature - History and criticism"]
[{"$nulls":4},"Art and literature - England - History - 18th century"]
[{"$nulls":4},"English literature"]
[{"$nulls":4},"Illustration of books - England - 18th century"]
[{"$nulls":4},"Popular culture - England - History - 18th century"]
[{"$nulls":4},"Books and reading - England - History - 18th century"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","A comprehensive account of the circulation and adaptation of literature in late 18th-century art, explores the visual dimension of reading in an emerging visual culture and offers a range of new ways of reading literature and painting together."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [225]-247) and index."]
[null,null,"Nota di contenuto",null,"The literary galleries and the field of art -- The spectator turned reader : printed text at the galleries -- The reader turned spectator : visual narratives -- 'Satan encount'ring death, sin interposing' : Milton' s allegory and the politics of seeing -- The plot of Adam and Eve."]
[null,null,null,"Sommario/riassunto","Between 1791 and 1799 Swiss painter Henry Fuseli turned Milton's Paradise Lost into a series of 40 pictures that were exhibited in London in 1799 and 1800. Starting from Fuseli's adaptation, Cal--egrave--; analyses how visual practices impact on the act of reading and calls into question the separation of reading and viewing as autonomous aesthetic practices. - ;Fuseli's Milton Gallery challenges the anti-pictorial theories and canons of Romantic period culture. Between 1791 and 1799 Swiss painter Henry Fuseli turned Milton's Paradise Lost into a series of 40 pictures. Fuseli's project and other"]