{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":2,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":50,"n_cols":5,"rows_kept":50,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[7,2,7,3],[8,2,8,3],[9,2,9,3],[11,2,11,3],[20,2,20,3],[21,2,21,3],[25,2,25,3],[28,2,28,3],[28,4,28,5],[29,2,29,3],[29,4,29,5],[30,2,30,3],[30,4,30,5],[31,2,31,3],[32,2,32,3],[33,2,33,3],[34,2,34,3],[45,2,45,3],[46,2,46,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910451069603321"]
[null,null,"Autore",null,"Hoagwood Terence Allan <1952->"]
[null,null,"Titolo",null,"\"Colour'd shadows\" [[electronic resource] ] : contexts in publishing, printing, and reading nineteenth-century British women writers / / Terence Allan Hoagwood and Kathryn Ledbetter"]
[null,null,"Pubbl/distr/stampa",null,"New York, : Palgrave Macmillan, 2005"]
[null,null,"ISBN",null,"1-281-36820-2"]
[{"$nulls":4},"9786611368203"]
[{"$nulls":4},"1-4039-7953-7"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (xi, 198 pages) : illustrations"]
[null,null,"Disciplina",null,"821.8099287"]
[{"$nulls":4},"821/.8099287"]
[null,null,"Soggetti",null,"English poetry - Women authors - History and criticism"]
[{"$nulls":4},"Women - Books and reading - Great Britain - History - 19th century"]
[{"$nulls":4},"Literature publishing - Great Britain - History - 19th century"]
[{"$nulls":4},"Women and literature - Great Britain - History - 19th century"]
[{"$nulls":4},"Books and reading - Great Britain - History - 19th century"]
[{"$nulls":4},"Women - Great Britain - Intellectual life - 19th century"]
[{"$nulls":4},"English poetry - 19th century - History and criticism"]
[{"$nulls":4},"Printing - Great Britain - History - 19th century"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [177]-192) and index."]
[null,null,"Nota di contenuto",null,"Scholarly Fantasy and Material Reality in Mary Robinson's Sappho and Phaon -- Ideology and Textuality in Hemans's Records of Woman -- Scandal as Commodity and the \"Calumniated Woman\" --  \"The Very Roads of Literature\": Women Editors of Nineteenth-Century British Literary Annuals -- Voluptuous Opportunities: Visual Images in the Keepsake -- \"The Fate of Woman At Its Root\": Elizabeth Barrett's A Drama of Exile and Jean Ingelow's A Story of Doom -- \"Varied Forms Pass Glitt'ring\": Violet Fane's Denzil Place: A Story in Verse."]
[null,null,null,"Sommario/riassunto","This book studies the print culture of the nineteenth century as it shaped the meanings and the cultural significance of literary works by women writers - Mary Robinson, Felicia Hemans, Elizabeth Barrett Browning, Lady Blessington, Lady Morgan, Caroline Norton, Letitia Elizabeth Landon, and others. Colour'd Shadows explains and interprets "]
[{"$nulls":4},"the physical forms of their books, the economics and politics of production and reception, and the cultural meanings of their literary work, showing how poems, literary annuals, engravings, commercial arrangements, the practices of women editors as well as writers, the politics of gender, the changing means of production, and women's literary relationships unfold in the medium of print and, more largely, the rapidly changing culture of the century."]
[null,"2.","Record Nr.",null,"UNINA9910137242503321"]
[null,null,"Autore",null,"Jauneau Yves"]
[null,null,"Titolo",null,"The Economic Contribution of Culture / / Yves Jauneau"]
[null,null,"Pubbl/distr/stampa",null,"Paris, : Département des études, de la prospective et des statistiques, 2014"]
[null,null,"ISBN",null,"2-11-139923-X"]
[null,null,"Descrizione fisica",null,"1 online resource (12 p.)"]
[null,null,"Soggetti",null,"Cultural studies"]
[{"$nulls":4},"Economics (General)"]
[{"$nulls":4},"économie de la culture et de la communication"]
[{"$nulls":4},"emploi culturel"]
[{"$nulls":4},"politiques publiques"]
[{"$nulls":4},"statistiques culturelles"]
[{"$nulls":4},"INSEE"]
[{"$nulls":4},"economics of culture and Communication"]
[{"$nulls":4},"INSEE (National Institute of statistics and economic studies)"]
[{"$nulls":4},"cultural employment"]
[{"$nulls":4},"cultural statistics"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","In 2011, cultural industries had a total production of 85 billion euros with an added value of 40 billion euros. Cultural production is divided and shared between a merchantable amount of 69 billion euros from the sale of companies’ cultural goods and services, and a non-merchantable amount of 16 billion euros, which corresponds, by convention, to the production costs of departments, public institutions and associations in the cultural sector. The direct economic impact of culture, measured as the relationship between the added value of cultural industries and that of all industries, was 2.2% in 2011. It did not take into account the indirect or induced economic benefits resulting from culture (tourism, for example). Until 2003, the direct economic impact developing the value of culture has increased. However, it has been falling since 2004, which is mainly attributed to the marked decline in activity in certain cultural industries (publishing, "]
[{"$nulls":4},"the press, record). In 2011, the audio-visual industry (radio, cinema, television, video, record) contributed to one quarter of added cultural value. The performing arts and heritage, predominantly non-merchantable industries, contributed to 18% and 11% of added value respectively. The progress made during the last fifteen years in the share price in terms of value of the performing arts is mainly down to the rising prices in this industry. In contrast, books and the press only contributed to 15% of added cultural value in 2011, versus 26% in 1995. Other cultural industries (advertising agencies, architecture, the visual arts, cultural education) contributed, as a whole, to one third of added cultural value.  En 2011, les branches culturelles totalisent une production de 85 milliards d’euros et une valeur ajoutée de 40 milliards d’euros. La production culturelle se partage entre une partie marchande (69 milliards d’euros), issue de la vente des biens et services culturels des entreprises, et une partie non marchande (16…"]