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[null,"1.","Record Nr.",null,"UNINA9910451057103321"]
[null,null,"Autore",null,"Cobb Michael L."]
[null,null,"Titolo",null,"Racial blasphemies : religious irreverence and race in American literature / / Michael L. Cobb"]
[null,null,"Pubbl/distr/stampa",null,"New York : , : Routledge, , 2005"]
[null,null,"ISBN",null,"1-135-87530-8"]
[{"$nulls":4},"1-280-23280-3"]
[{"$nulls":4},"9786610232802"]
[{"$nulls":4},"0-203-64229-5"]
[null,null,"Descrizione fisica",null,"1 online resource (151 p.)"]
[null,null,"Collana",null,"Literary criticism and cultural theory"]
[null,null,"Disciplina",null,"810.9/3552"]
[null,null,"Soggetti",null,"American fiction - 20th century - History and criticism"]
[{"$nulls":4},"Race in literature"]
[{"$nulls":4},"Religion and literature - United States - History - 20th century"]
[{"$nulls":4},"Race relations in literature"]
[{"$nulls":4},"Blasphemy in literature"]
[{"$nulls":4},"Religion in literature"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Front Cover; Racial Blasphemies; Copyright Page; Contents; Acknowledgments; Introduction; Chapter One. Painfully Obvious: Nakedness and Religious Words in James Baldwin's Go Tell It on the Mountain; Chapter Two. Arresting Whiteness: Religious History and \"\"Local\"\" Color inFlannery O'Connor's Wise Blood; Chapter Three. \"\"She was Something Vulgar in a Holy Place\"\": The Resanguinationof the Word in Paule Marshall's Brown Girl, Brownstones; Chapter Four. \"\"Actual Sacrilege\"\": The Blasphemous Narration of Time and Race in William Faulkner's Light in August; Notes; Bibliography; Index"]
[null,null,null,"Sommario/riassunto","Racial Blasphemies, using critical race theory and literary analysis, charts the tense, frustrated religious language that saturates much twentieth-century American literature. Michael Cobb argues that we should consider religious language as a special kind of language - a language of curse words - that furiously communicates not theology or spirituality as much as it signals the sheer difficulty of representing race in a non-racist manner on the literary page."]