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[null,"1.","Record Nr.",null,"UNINA9910450803203321"]
[null,null,"Autore",null,"Blandford Steven"]
[null,null,"Titolo",null,"Film, drama and the break-up of Britain [[electronic resource] /] / Steve Blandford"]
[null,null,"Pubbl/distr/stampa",null,"Bristol, UK ; ; Chicago, USA, : Intellect, 2007"]
[null,null,"ISBN",null,"1-280-74769-2"]
[{"$nulls":4},"9786610747696"]
[{"$nulls":4},"1-84150-979-5"]
[null,null,"Descrizione fisica",null,"1 online resource (202 p.)"]
[null,null,"Disciplina",null,"302.2340941"]
[null,null,"Soggetti",null,"Motion pictures - Great Britain - History and criticism"]
[{"$nulls":4},"Theater - Great Britain - History and criticism"]
[{"$nulls":4},"Motion pictures - Political aspects - Great Britain"]
[{"$nulls":4},"Theater - Political aspects - Great Britain"]
[{"$nulls":4},"Nationalism in motion pictures"]
[{"$nulls":4},"Nationalism in literature"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [181]-189) and index."]
[null,null,"Nota di contenuto",null,"Front Cover; Preliminaries; Contents; Acknowledgements; Chapter 1 Introduction; Chapter 2 Last Orders in Wonderland: England and Cinema; Chapter 3 Beyond 'Priests, Pigs and Poverty': Ireland and Cinema; Chapter 4 'We Can't Even Pick a Decent Country to be Colonised By': Scotland and Cinema; Chapter 5 'A Beautiful Mistake': Wales and Cinema; Chapter 6 'An Evaporation of Certainty': England and Theatre; Chapter 7 'Protestants Don't Write Plays, You See': Ireland and Theatre; Chapter 8 No More 'Cultural Cringe': Scotland and Theatre; Chapter 9 Behind 'the Façade of Cool Cymru': Wales and Theatre"]
[{"$nulls":4},"BibliographyIndex; Back Cover"]
[null,null,null,"Sommario/riassunto","When the sun set on the British Empire, the resultant fragmentation of British identity emerged most tellingly in artistic works: cinematic works such as Howards End depicted a richly historical land steeped in tradition and tragedy, while the more modern Lock, Stock and Two Smoking Barrels revealed a brutal yet sharply humorous portrayal of contemporary English life."]
[null,"2.","Record Nr.",null,"UNISALENTO991000100339707536"]
[null,null,"Autore",null,"Callus, Daniel A."]
[null,null,"Titolo",null,"Robert Grosseteste Scholar and Bishop : essay in commemoration of the centenary of his death / with an introduction by Maurice Powicke"]
[null,null,"Pubbl/distr/stampa",null,"Oxford : Clarendon Press, 1969"]
[null,null,"Descrizione fisica",null,"XXV, 263 p. ; 22 cm"]
[null,null,"Disciplina",null,"189"]
[null,null,"Soggetti",null,"Grosseteste, Robert"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]