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[null,"1.","Record Nr.",null,"UNINA9910465948103321"]
[null,null,"Autore",null,"Willis Holly"]
[null,null,"Titolo",null,"Fast forward : the future(s) of the cinematic arts / / Holly Willis"]
[null,null,"Pubbl/distr/stampa",null,"London, [England] ; ; New York, [New York] : , : Wallflower Press, , 2016"]
[{"$nulls":4},"©2016"]
[null,null,"ISBN",null,"0-231-85097-2"]
[null,null,"Descrizione fisica",null,"1 online resource (201 pages)"]
[null,null,"Disciplina",null,"791.4509"]
[null,null,"Soggetti",null,"Motion pictures and television"]
[{"$nulls":4},"Mass media and language"]
[{"$nulls":4},"Motion picture industry"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Acknowledgments -- Introduction The State of Things -- Chapter 1. Past, Present, Future: Situating Post-Cinema -- Chapter 2. New Practices / New Paradigms -- Chapter 3. Live Cinema -- Chapter 4. Urban Screens / Screened Urbanism -- Chapter 5. Books to Watch, Films to Read, Stories to Touch: New Interfaces for Storytelling -- Chapter 6. Virtual Reality and the Networked Self -- Conclusion -- Notes -- Bibliography -- Index"]
[null,null,null,"Sommario/riassunto","Cinema, the primary vehicle for storytelling in the twentieth century, is being reconfigured by new media in the twenty-first. Terms such as \"worldbuilding,\" \"virtual reality,\" and \"transmedia\" introduce new methods for constructing a screenplay and experiencing and sharing a story. Similarly, 3D cinematography, hypercinema, and visual effects require different modes for composing an image, and virtual technology, motion capture, and previsualization completely rearrange the traditional flow of cinematic production. What does this mean for telling stories? Fast Forward answers this question by investigating a full range of contemporary creative practices dedicated to the future of mediated storytelling and by connecting with a new generation of filmmakers, screenwriters, technologists, media artists, and designers to discover how they work now, and toward what end. From Chris Milk and Aaron Koblin's exploration of VR spherical filmmaking to Rebeca Méndez's projection and installation work exploring climate change to the richly mediated interactive live performances of the collective Cloud "]
[{"$nulls":4},"Eye Control, this volume captures a moment of creative evolution and sets the stage for imagining the future of the cinematic arts."]
[null,"2.","Record Nr.",null,"UNINA9910450801103321"]
[null,null,"Autore",null,"Doenmez-Colin Goenuel"]
[null,null,"Titolo",null,"Cinemas of the other [[electronic resource] ] : a personal journey with film-makers from the Middle East and Central Asia / / by Goenuel Doenmez-Colin"]
[null,null,"Pubbl/distr/stampa",null,"England, : Intellect Ltd, 2006"]
[null,null,"ISBN",null,"1-280-42890-2"]
[{"$nulls":4},"9786610428908"]
[{"$nulls":4},"1-84150-961-2"]
[null,null,"Descrizione fisica",null,"1 online resource (286 p.)"]
[null,null,"Disciplina",null,"791.430956"]
[{"$nulls":4},"791.430958"]
[null,null,"Soggetti",null,"Motion pictures - History"]
[{"$nulls":4},"Electronic books."]
[{"$nulls":4},"Middle East History"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"Front Cover; Preliminary Pages; Contents; Iran; Turkey; Kazakhstan; Kyrgyzstan; Tajikistan; Turkmenistan; Uzbekistan; Filmography"]
[null,null,null,"Sommario/riassunto","An original collection of recent interviews with filmmakers whose works represent the trends in the film industries of their respective countries. Preceding the interviews, the author provides an introduction delineating historical information regarding the film industries of the countries included in the book."]