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[null,"1.","Record Nr.",null,"UNINA9910450783803321"]
[null,null,"Autore",null,"Rehm Rush"]
[null,null,"Titolo",null,"Greek tragic theatre / / Rush Rehm"]
[null,null,"Pubbl/distr/stampa",null,"London ; ; New York : , : Routledge, , 1994"]
[null,null,"ISBN",null,"1-134-81414-3"]
[{"$nulls":4},"0-415-04831-1"]
[{"$nulls":4},"1-280-02099-7"]
[{"$nulls":4},"0-203-20883-8"]
[null,null,"Edizione",null,"[New Edition]"]
[null,null,"Descrizione fisica",null,"182p"]
[null,null,"Collana",null,"Theatre production studies"]
[null,null,"Disciplina",null,"882.0109"]
[{"$nulls":4},"882/.0109"]
[null,null,"Soggetti",null,"Greek drama (Tragedy) - History and criticism"]
[{"$nulls":4},"Political plays, Greek - History and criticism"]
[{"$nulls":4},"Theater - Greece - History"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"part Part I THE SOCIAL AND THEATRICAL BACKGROUND -- chapter 1 THE PERFORMANCE CULTURE OF ATHENS -- chapter 2 THE FESTIVAL CONTEXT -- chapter 3 PRODUCTION AS PARTICIPATION -- chapter 4 THE THEATRE OF DIONYSUS -- chapter 5 CONVENTIONS OF PRODUCTION -- part Part II EXEMPLARY PLAYS -- chapter 6 AESCHYLUS ORESTEIA TRILOGY -- chapter 7 SOPHOCLES OEDIPUS TYRANNUS -- chapter 8 EURIPIDES SUPPLIANT WOMEN -- chapter 9 EURIPIDES ION."]
[null,null,null,"Sommario/riassunto","Greek Tragic Theatre is an illuminating and lucid account of how Greek tragedy actually worked . Rush Rehm sheds new light on these classic texts and encourages actors and directors to examine Greek tragedy anew by looking at the context in which it was originally performed. Emphasizing the political nature of Greek tragedy as a theatre of, by, and for the polis , Rehm characterizes fifth-century Athens as a performance culture , one in which the theatre stood alongside other public forums as a place to confront matters of import and moment. the second half of the book examines four exemplary plays, Aeschylus' Oresteia triology, Sophocles' Oedipus Tyrannus , and Euripedes' Supplieant Women and Ion . Rehm focuses on how each tragedy unfolds in performance, generating different relationships between the "]
[{"$nulls":4},"characters on stage and the people in the audience."]