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[null,"1.","Record Nr.",null,"UNINA9910450715803321"]
[null,null,"Autore",null,"Berry Philippa <1955, >"]
[null,null,"Titolo",null,"Shakespeare's feminine endings : disfiguring death in the tragedies / / Philippa Berry"]
[null,null,"Pubbl/distr/stampa",null,"London ; ; New York : , : Routledge, , 1999"]
[null,null,"ISBN",null,"1-134-91494-6"]
[{"$nulls":4},"1-280-32883-5"]
[{"$nulls":4},"0-203-31355-0"]
[{"$nulls":4},"0-203-07284-7"]
[{"$nulls":4},"9786610328833"]
[null,null,"Descrizione fisica",null,"1 online resource (212 p.)"]
[null,null,"Collana",null,"Feminist readings of Shakespeare"]
[null,null,"Disciplina",null,"822.3/3"]
[null,null,"Soggetti",null,"Feminism and literature - England - History - 16th century"]
[{"$nulls":4},"Feminism and literature - England - History - 17th century"]
[{"$nulls":4},"Women and literature - England - History - 16th century"]
[{"$nulls":4},"Women and literature - England - History - 17th century"]
[{"$nulls":4},"Sex role in literature"]
[{"$nulls":4},"Death in literature"]
[{"$nulls":4},"Closure (Rhetoric)"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 167-188) and index."]
[null,null,"Nota di contenuto",null,"Cover; SHAKESPEARE'S FEMININE ENDINGS: Disfiguring death in the tragedies; Copyright; CONTENTS; PLATES; SERIES EDITOR'S PREFACE; ACKNOWLEDGEMENTS; 1 DISFIGURED ENDINGS: SEXUAL MATTERS AND SHAKESPEARE'S ARS MORIENDI; 2 DOUBLE DYING AND OTHER TRAGIC INVERSIONS; 3 ECHOIC LANGUAGE AND TRAGIC IDENTITY; 4 DISCLOSING THE FEMININE EYE OF DEATH: TRAGEDY AND SEEING IN  THE DARK; 5 FORTUNE'S FOOLS: REVOLUTIONS OF TIME, FATE AND SOVEREIGNTY; 6 CORDELIA'S BOND AND BRITANNIA'S MISSING MIDDLE; NOTES; INDEX"]
[null,null,null,"Sommario/riassunto","Philippa Berry draws on feminist theory, postmodern thought and queer theory, to challenge existing critical notions of what is fundamental to Shakespearean tragedy. She shows how, through a network of images clustered around feminine or feminized characters, these plays 'disfigure' conventional ideas of death as a bodily end, as their figures "]
[{"$nulls":4},"of women are interwoven with provocative meditations upon matter, time, the soul, and the body. The scope of these tragic speculations was radical in Shakespeare's day; yet they also have a surprising relevance to contemporary debates about time and matt"]