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[null,"1.","Record Nr.",null,"UNINA9910450642103321"]
[null,null,"Autore",null,"Rimell Victoria"]
[null,null,"Titolo",null,"Petronius and the anatomy of fiction / / Victoria Rimell [[electronic resource]]"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge : , : Cambridge University Press, , 2002"]
[null,null,"ISBN",null,"1-280-43647-6"]
[{"$nulls":4},"0-511-17803-4"]
[{"$nulls":4},"0-511-04261-2"]
[{"$nulls":4},"0-511-14854-2"]
[{"$nulls":4},"0-511-30538-9"]
[{"$nulls":4},"0-511-48235-3"]
[{"$nulls":4},"0-511-04583-2"]
[null,null,"Descrizione fisica",null,"1 online resource (x, 239 pages) : digital, PDF file(s)"]
[null,null,"Disciplina",null,"873/.01"]
[null,null,"Soggetti",null,"Satire, Latin - History and criticism"]
[{"$nulls":4},"Narration (Rhetoric) - History - To 1500"]
[{"$nulls":4},"Fiction - Technique"]
[{"$nulls":4},"Rhetoric, Ancient"]
[{"$nulls":4},"Rome In literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from publisher's bibliographic system (viewed on 05 Oct 2015)."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 210-226) and indexes."]
[null,null,"Nota di contenuto",null,"Introduction: Corporealities -- ; 1. Rhetorical red herrings -- ; 2. Behind the scenes -- ; 3. The beast within -- ; 4. From the horse's mouth -- ; 5. Bella intestina -- ; 6. Regurgitating Polyphemus -- ; 7. Scars of knowledge -- ; 8. How to eat Virgil -- ; 9. Ghost stories -- ; 10. Decomposing rhythms -- Conclusion: Licence and labyrinths -- ; App. I. The use of fundere and cognates in the Satyricon -- ; App. II. The occurrence of fortuna or Fortuna in the Satyricon -- ; App. III. Aen. 4.39 at Sat. 112: nec venit in mentem, quorum consderis arvis?"]
[null,null,null,"Sommario/riassunto","Petronius' Satyricon, long regarded as the first 'novel' of the Western tradition, has always sparked controversy. It has been puzzled over as a strikingly modernist riddle, elevated as a work of exemplary comic realism, condemned as obscene and repackaged as a morality tale. This reading of the surviving portions of the work shows how the Satyricon fuses the anarchic and the classic, the comic and the disturbing, and presents readers with a labyrinth of narratorial viewpoints. Dr Rimell "]
[{"$nulls":4},"argues that the surviving fragments are connected by an imagery of disintegration, focused on the pervasive Neronian metaphor of the literary text as a human or animal body. Throughout, she discusses the limits of dominant twentieth-century views of the Satyricon as bawdy pantomime, and challenges prevailing restrictions of Petronian corporeality to material or non-metaphorical realms. This 'novel' emerges as both very Roman and very satirical in its 'intestinal' view of reality."]