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[null,"1.","Record Nr.",null,"UNINA9910450446603321"]
[null,null,"Autore",null,"Betts Paul"]
[null,null,"Titolo",null,"The authority of everyday objects [[electronic resource] ] : a cultural history of West German industrial design / / Paul Betts"]
[null,null,"Pubbl/distr/stampa",null,"Berkeley, : University of California Press, c2004"]
[null,null,"ISBN",null,"1-282-36040-X"]
[{"$nulls":4},"9781417544996"]
[{"$nulls":4},"9786612360404"]
[{"$nulls":4},"0-520-94135-7"]
[{"$nulls":4},"1-59734-477-X"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (366 pages)"]
[null,null,"Collana",null,"Weimar and now ; ; 34"]
[null,null,"Classificazione",null,"LK 92900"]
[null,null,"Disciplina",null,"745.2/0943"]
[null,null,"Soggetti",null,"Industrial design - Germany - History"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 265-338) and index."]
[null,null,"Nota di contenuto",null,"Front matter -- Contents -- Illustrations -- Acknowledgments -- INTRODUCTION. Design, the Cold War, and West German Culture -- CHAPTER ONE. Re-Enchanting the Commodity -- CHAPTER TWO. The Conscience of the Nation -- CHAPTER THREE. The Nierentisch Nemesis -- CHAPTER FOUR. Design and Its Discontents -- CHAPTER FIVE. Design, Liberalism, and the State -- CHAPTER SIX. Coming in from the Cold -- CONCLUSION. Memory and Materialism -- Notes -- Bibliography -- Index"]
[null,null,null,"Sommario/riassunto","From the Werkbund to the Bauhaus to Braun, from furniture to automobiles to consumer appliances, twentieth-century industrial design is closely associated with Germany. In this pathbreaking study, Paul Betts brings to light the crucial role that design played in building a progressive West German industrial culture atop the charred remains of the past. The Authority of Everyday Objects details how the postwar period gave rise to a new design culture comprising a sprawling network of diverse interest groups-including the state and industry, architects and designers, consumer groups and museums, as well as publicists and women's organizations-who all identified industrial design as a vital means of economic recovery, social reform, and even moral regeneration. These cultural battles took on heightened importance precisely because the stakes were nothing less than the "]
[{"$nulls":4},"very shape and significance of West German domestic modernity. Betts tells the rich and far-reaching story of how and why commodity aesthetics became a focal point for fashioning a certain West German cultural identity. This book is situated at the very crossroads of German industry and aesthetics, Cold War politics and international modernism, institutional life and visual culture."]