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[null,"1.","Record Nr.",null,"UNINA9910456915803321"]
[null,null,"Autore",null,"Attanasio Orazio P"]
[null,null,"Titolo",null,"Inequality in Living Standards since 1980 [[electronic resource] ] : Income Tells Only a Small Part of the Story"]
[null,null,"Pubbl/distr/stampa",null,"Lanham, : AEI Press, 2010"]
[null,null,"ISBN",null,"1-283-02943-X"]
[{"$nulls":4},"9786613029430"]
[{"$nulls":4},"0-8447-4372-0"]
[null,null,"Descrizione fisica",null,"1 online resource (127 p.)"]
[null,null,"Disciplina",null,"325.73"]
[{"$nulls":4},"339.4/20973"]
[null,null,"Soggetti",null,"Consumption (Economics) - United States"]
[{"$nulls":4},"Consumption (Economics) --United States"]
[{"$nulls":4},"Cost and standard of living - United States"]
[{"$nulls":4},"Cost and standard of living --United States"]
[{"$nulls":4},"Foreign workers - Government policy - United States"]
[{"$nulls":4},"Income distribution - United States"]
[{"$nulls":4},"Income distribution --United States"]
[{"$nulls":4},"United Staes - Emigration and immigration"]
[{"$nulls":4},"Unskilled labor - United States"]
[{"$nulls":4},"Business & Economics"]
[{"$nulls":4},"Labor & Workers' Economics"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"Contents; Illustration List; Foreword; Introduction; Chapter 1; Chapter 2; Chapter 3; Chapter 4; Chapter 5; Chapter 6; Conclusion; Appendix 1; Appendix 2; Notes; References; About the Authors; Boilerplate"]
[null,null,null,"Sommario/riassunto","Studies of wage and income inequality among U.S. citizens over the past thirty years have engendered the common wisdom that the rich are getting richer and the poor are getting poorer. But is it really that simple? In Inequality in Living Standards since 1980 the authors contend that the evolution of income and wage inequalities offers only a partial picture of changes in prosperity in recent decades."]
[null,"2.","Record Nr.",null,"UNINA9910450115203321"]
[null,null,"Autore",null,"Linville Susan E"]
[null,null,"Titolo",null,"Feminism, Film, Fascism : Women's Autobiographical Film in Postwar Germany [[electronic resource]]"]
[null,null,"Pubbl/distr/stampa",null,"Austin, TX, USA, : University of Texas Press, 19980401"]
[{"$nulls":4},"University of Texas Press"]
[null,null,"ISBN",null,"0-292-79972-1"]
[null,null,"Descrizione fisica",null,"1 online resource (208 p.)"]
[null,null,"Disciplina",null,"791.43/0943"]
[null,null,"Soggetti",null,"PERFORMING ARTS"]
[{"$nulls":4},"Film & Video / General"]
[{"$nulls":4},"Motion pictures - History - Germany"]
[{"$nulls":4},"Women in motion pictures - Psychological aspects - Germany"]
[{"$nulls":4},"Women motion picture producers and directors - Germany"]
[{"$nulls":4},"Motion pictures"]
[{"$nulls":4},"Guilt"]
[{"$nulls":4},"Music, Dance, Drama & Film"]
[{"$nulls":4},"Film"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Acknowledgments -- Introduction: Seeing Through he \"Postwar\" Years -- 1 Kinder, Kirche, Kino: The Optical Politics of Marianne Rosenbaum's Peppermint Peace -- 2 The mother-daughter plot in history: Helma Sander-Brahm's Germany, pale mother -- 3 Self-consuming Images: The Idenity Politics of Jutta Brückner;s Hunger Years -- 4 Rertieving History: Margarethe von Tro -- 5 The Autoethnographic aesthetic of Jeanine Meerapfel's Malou -- Epilogue -- Notes -- Filmography -- Bibliography -- Index"]
[null,null,null,"Sommario/riassunto","German society's inability and/or refusal to come to terms with its Nazi past has been analyzed in many cultural works, including the well-known books Society without the Father and The Inability to Mourn. In this pathfinding study, Susan Linville challenges the accepted wisdom of these books by focusing on a cultural realm in which mourning for the Nazi past and opposing the patriarchal and authoritarian nature of postwar German culture are central concerns—namely, women's feminist auto/biographical films of the 1970s and 1980s. After a broad "]
[{"$nulls":4},"survey of feminist theory, Linville analyzes five important films that reflect back on the Third Reich through the experiences of women of different ages—Marianne Rosenbaum's Peppermint Peace, Helma Sanders-Brahms's Germany, Pale Mother, Jutta Brückner's Hunger Years, Margarethe von Trotta's Marianne and Juliane, and Jeanine Meerapfel's Malou. By juxtaposing these films with the accepted theories on German culture, Linville offers a fresh appraisal not only of the films' importance but especially of their challenge to misogynist interpretations of the German failure to grieve for the horrors of its Nazi past."]