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[null,"1.","Record Nr.",null,"UNINA9910450097303321"]
[null,null,"Autore",null,"Lemke Sieglinde"]
[null,null,"Titolo",null,"Primitivist modernism [[electronic resource] ] : black culture and the origins of transatlantic modernism / / Sieglinde Lemke"]
[null,null,"Pubbl/distr/stampa",null,"New York, : Oxford University Press, 1998"]
[null,null,"ISBN",null,"1-280-45254-4"]
[{"$nulls":4},"1-4237-3459-9"]
[{"$nulls":4},"0-19-534454-5"]
[{"$nulls":4},"1-60256-638-0"]
[null,null,"Descrizione fisica",null,"1 online resource (192 p.)"]
[null,null,"Collana",null,"W.E.B. DuBois Institute"]
[null,null,"Disciplina",null,"700/.4112/08996"]
[null,null,"Soggetti",null,"Modernism (Art) - Europe"]
[{"$nulls":4},"Arts, European"]
[{"$nulls":4},"Modernism (Art) - United States"]
[{"$nulls":4},"Arts, American"]
[{"$nulls":4},"Arts, Black - Influence"]
[{"$nulls":4},"African American arts - Influence"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Contents; Introduction: Was Modernism Passing?; 1 Studies in Black and White; 2 Picasso's \"\"Dusty Manikins\"\"; 3 Whiteman's Jazz; 4 The Black Body; 5 The Black Book; Conclusion: Modernism Reconsidered; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z"]
[null,null,null,"Sommario/riassunto","This book explores a rich cultural hybridity at the heart of transatlantic modernism. Focusing on cubism, jazz, and Josephine Baker's performance in the Danse Sauvage, Sieglinde Lemke uncovers a crucial history of white and black intercultural exchange, a phenomenon until now greatly obscured by a cloak of whiteness. Considering artists and critics such as Picasso, Alain Locke, Nancy Cunard, and Paul Whiteman, in addition to Baker, Lemke documents a potent cultural dialectic in which black artistic expression fertilized white modernism, just as white art forms helped shape the black modernism"]