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[null,"1.","Record Nr.",null,"UNINA9910450007303321"]
[null,null,"Autore",null,"Hall Clare <1960->"]
[null,null,"Titolo",null,"Telecommunications regulation [[electronic resource] ] : culture, chaos, and interdependence inside the regulatory process / / Clare Hall, Colin Scott, and Christopher Hood"]
[null,null,"Pubbl/distr/stampa",null,"London ; ; New York, : Routledge, 2000"]
[null,null,"ISBN",null,"1-280-14362-2"]
[{"$nulls":4},"0-203-98453-6"]
[null,null,"Descrizione fisica",null,"1 online resource (266 p.)"]
[null,null,"Collana",null,"Routledge advances in management and business studies"]
[null,null,"Disciplina",null,"343.4109/94"]
[null,null,"Soggetti",null,"Telecommunication - Law and legislation - Great Britain"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [234]-243) and index."]
[null,null,"Nota di contenuto",null,"Front Cover; Telecommunications Regulation; Copyright Page; Contents; Figures; Tables; Preface; Part I: Introduction; 1. Ducts, poles and holes in the ground: the inner world of telecommunications regulation; 2. The archaeology of a regulatory regime; Part II: Culture and regulation; 3. Peculiar place, peculiar culture: organizing and structuring the regulatory office; Part III: The absolutist myth in regulation; 4. 'Oftel c'est moi': the role of the individual DGT; 5. Oftel in space: interdependence and accountability; Part IV: Decision-making; 6. Regulatory decision styles"]
[{"$nulls":4},"7. Price controls and numbering administration: Cartesian-bureaucratic issue-processing episodes8. Regulating anti-competitive conduct and not regulating hotel phone pricing: adhocraticchaotic issue-processing episodes; 9. Complaint-handling, licence enforcement and anti-competitive conduct II: bargainingdiplomatic issue-processing episodes; Part V: Lessons learnt; 10. Regulatory science, regulatory policy and possible regulatory futures; Epilogue; Notes; Glossary; Bibliography; Index"]
[null,null,null,"Sommario/riassunto","Using unprecedented access to the key actors inside the UK Office of Telecommunications (OFTEL) and supporting interviews, this book explores how telecommunications regulation works from the inside."]
[null,"2.","Record Nr.",null,"UNISALENTO991000324089707536"]
[null,null,"Autore",null,"Wittgenstein, Ludwig"]
[null,null,"Titolo",null,"Remarques philosophiques / Ludwig Wittgenstein ; editions posthume due aux soins de Rush Rhees ; traduit de l'allemand par jacques Fauve"]
[null,null,"Pubbl/distr/stampa",null,"Paris : Gallimard, 1964"]
[null,null,"Descrizione fisica",null,"330 p. ; 17 cm."]
[null,null,"Collana",null,"Tel"]
[null,null,"Disciplina",null,"193"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"3.","Record Nr.",null,"UNINA9910825448803321"]
[null,null,"Autore",null,"Paul Christiane"]
[null,null,"Titolo",null,"Digital art / / Christiane Paul"]
[null,null,"Pubbl/distr/stampa",null,"London ; ; New York, New York : , : Thames & Hudson, , [2015]"]
[{"$nulls":4},"©2015"]
[null,null,"Edizione",null,"[Third edition.]"]
[null,null,"Descrizione fisica",null,"1 online resource (272 pages) : illustrations"]
[null,null,"Collana",null,"World of art"]
[null,null,"Disciplina",null,"709.04"]
[null,null,"Soggetti",null,"Computer art"]
[{"$nulls":4},"New media art"]
[{"$nulls":4},"Art and technology"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Previous edition: 2008."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (pages 264-265) and index."]
[null,null,"Nota di contenuto",null,"Cover Page -- Title Page -- About the author -- Other titles of interest -- Dedication -- Acknowledgments -- Contents -- Image -- Introduction -- A short history of technology and art -- The presentation, collection, and preservation of digital art -- Chapter 1 Digital Technologies as a Tool -- Digital imaging: photography and print -- Sculpture -- Chapter 2 Digital Technologies as a Medium -- Forms of digital art -- Installation -- Film, video, and animation -- Internet art and networked art -- Software art -- Virtual reality -- Sound and music -- Chapter 3 Themes in Digital Art -- Artificial life -- Artificial intelligence -- Telepresence and telerobotics -- Body and identity -- Database aesthetics and data visualization -- Beyond the book: Narrative environments -- Gaming -- Tactical media, activism, and hacktivism -- Technologies of the future -- Redefining public space: Locative media and public interactives -- Augmenting the real: Augmented reality and mixed reality -- Social media and the Web 2.0 era -- Glossary -- Artists' websites and online art projects -- Digital arts organizations and networks, museums, and galleries -- Digital art festivals -- Select new media art exhibitions -- Select bibliography -- List of illustrations -- Index -- Copyright Page."]
[null,null,null,"Sommario/riassunto","Digital technology has revolutionized the way we produce and experience art today. Not only have traditional forms of art such as printing, painting, photography and sculpture been transformed by digital techniques and media, but entirely new forms such as internet art, software art, digital installation and virtual reality have emerged as "]
[{"$nulls":4},"recognized artistic practices. Christiane Paul surveys the developments in digital art from its appearance in the 1980s to the present day and looks ahead to what the future may hold. Drawing a distinction between work that uses digital technology as a tool to produce traditional forms and work that uses it as a medium to create new types of art, she discusses the key artists and works. The book explores themes addressed and raised by these artworks, such as viewer interaction, artificial life and intelligence, political and social activism, networks and telepresence, and issues surrounding the collection, presentation and preservation of digital art. This third, expanded edition investigates key areas of digital art practice that have gained in prominence in recent years, including the emergence and impact of locative media, interactive public installation, augmentive and mixed reality, social networking, and file-sharing and tablet technologies."]