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[null,"1.","Record Nr.",null,"UNINA990003129960403321"]
[null,null,"Titolo",null,"Il metodo delle scienze storico-sociali / Max Weber"]
[null,null,"Pubbl/distr/stampa",null,"Torino : Einaudi, 1958"]
[null,null,"ISBN",null,"88-06-40402-4"]
[null,null,"Descrizione fisica",null,"383 p. ; 20 cm"]
[null,null,"Collana",null,"Reprints Einaudi ; 14"]
[null,null,"Disciplina",null,"11120"]
[{"$nulls":4},"21110"]
[null,null,"Locazione",null,"SES"]
[null,null,"Collocazione",null,"21110 WEB"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910449722503321"]
[null,null,"Autore",null,"Andrew Dudley <1945->"]
[null,null,"Titolo",null,"Concepts in film theory [[electronic resource] /] / Dudley Andrew"]
[null,null,"Pubbl/distr/stampa",null,"Oxford ; ; New York, : Oxford University Press, 1984"]
[null,null,"ISBN",null,"0-19-028126-X"]
[{"$nulls":4},"1-4237-3805-5"]
[{"$nulls":4},"0-19-802051-1"]
[{"$nulls":4},"1-280-43917-3"]
[{"$nulls":4},"1-60129-578-2"]
[null,null,"Descrizione fisica",null,"1 online resource (254 p.)"]
[null,null,"Disciplina",null,"791.43/01"]
[null,null,"Soggetti",null,"Motion pictures - Philosophy"]
[{"$nulls":4},"Cinematography"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliography: p. 212-229 and index."]
[null,null,"Nota di contenuto",null,"Contents; 1 The State of Film Theory; 2 Perception; 3 Representation; 4 Signification; 5 Narrative Structure; 6 Adaptation; 7 Valuation (of Genres and Auteurs); 8 Identification; 9 Figuration; 10 Interpretation; Notes; Appendix: Classified Bibliography; Index"]
[null,null,null,"Sommario/riassunto","A remarkable continuation of Dudley Andrew's classic, The Major Film Theories, this work focuses on the key concepts in film study: perception, representation, signification, narrative structure, adaptation, evaluation, identification, figuration, and interpretation. Beginning with a lucid introductory chapter on the current state of film theory, Andrew goes on to build an overall view of film, presenting his own ideas on each concept, and giving a sense of the interdependence of these concepts. By providing lively explanations of theories that involve perceptual psychology and structuralism,"]