{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":23,"n_cols":5,"rows_kept":23,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[5,2,5,3],[8,2,8,3],[9,2,9,3],[10,2,10,3],[11,2,11,3],[16,2,16,3],[17,2,17,3],[21,2,21,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910433253703321"]
[null,null,"Autore",null,"Paszkiewicz Katarzyna"]
[null,null,"Titolo",null,"Genre, authorship and contemporary women filmmakers / / Katarzyna Paszkiewicz [[electronic resource]]"]
[null,null,"Pubbl/distr/stampa",null,"Edinburgh University Press, 2008"]
[{"$nulls":4},"Edinburgh : , : Edinburgh University Press, , 2018"]
[null,null,"ISBN",null,"1-4744-4963-8"]
[{"$nulls":4},"1-4744-2528-3"]
[{"$nulls":4},"1-4744-2527-5"]
[null,null,"Descrizione fisica",null,"1 online resource (ix, 294 pages) : digital, PDF file(s)"]
[null,null,"Collana",null,"Edinburgh scholarship online"]
[null,null,"Disciplina",null,"791.4302/33082"]
[null,null,"Soggetti",null,"Women motion picture producers and directors - United States"]
[{"$nulls":4},"Motion pictures - United States"]
[{"$nulls":4},"Film genres"]
[{"$nulls":4},"Motion picture authorship"]
[{"$nulls":4},"Motion pictures - History"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from publisher's bibliographic system (viewed on 07 May 2021)."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction: impossible liaisons? genre and feminist film criticism -- Subversive auteur, subversive genre -- Repeat to remake: Diablo Cody and Karyn Kusama's Jennifer's Body -- Hollywood transvestite: Kathryn Bigelow's The Hurt Locker -- Genre in the margins: Kelly Reichardt's Meek's Cutoff -- Genre on the surface: Sofia Coppola's Marie Antoinette -- What a woman wants?: Nancy Meyers's The Intern -- Afterword: desperately seeking wonder women."]
[null,null,null,"Sommario/riassunto","Examining the significance of women's work in popular film genres, Genre, Authorship and Contemporary Women Filmmakers sheds light on women's contribution to genre cinema through an exploration of filmmakers like Kathryn Bigelow, Diablo Cody, Sofia Coppola and Kelly Reichard."]