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[null,"1.","Record Nr.",null,"UNINA990005286480403321"]
[null,null,"Autore",null,"Murray, Gilbert <1866-1957>"]
[null,null,"Titolo",null,"Five stages of Greek religion / by Gilbert Murray"]
[null,null,"Pubbl/distr/stampa",null,"Westport : Greenwood Press, 1976"]
[null,null,"ISBN",null,"0-8371-9080-0"]
[null,null,"Descrizione fisica",null,"276 p. ; 22 cm"]
[null,null,"Disciplina",null,"292.08"]
[null,null,"Locazione",null,"FLFBC"]
[{"$nulls":4},"NAP03"]
[null,null,"Collocazione",null,"292.08 MUR 1"]
[{"$nulls":4},"292.08 MUR 1 BIS"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910418038303321"]
[null,null,"Autore",null,"Allen Duncan Donald"]
[null,null,"Titolo",null,"Puerto Limón (Costa Rica) : Formas y prácticas de auto/representación: Apuestas imaginarias y políticas / / Quince Duncan Moodie, Victorien Lavou Zoungbo"]
[null,null,"Pubbl/distr/stampa",null,"Perpignan, : Presses universitaires de Perpignan, 2020"]
[null,null,"ISBN",null,"2-35412-415-5"]
[null,null,"Descrizione fisica",null,"1 online resource (247 p.)"]
[null,null,"Soggetti",null,"Cultural studies"]
[{"$nulls":4},"Noirs"]
[{"$nulls":4},"Antilles"]
[{"$nulls":4},"Costa Rica"]
[{"$nulls":4},"Natif Américain"]
[{"$nulls":4},"représentation"]
[{"$nulls":4},"imaginaire"]
[{"$nulls":4},"identité"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","L’un des avantages incontestables de cet ouvrage est d’avoir rassemblé des contributions émanant, en majorité, des chercheur-e-s et activistes Afro-descendant-e-s, originaires de Limón. Son objectif principal est de dévoiler la « face cachée » du Costa Rica, celle qu’on ne perçoit généralement pas de l’extérieur, celle qui n’est pas forcément représentée par/dans les récits pédagogiques nationaux de ce pays. Quant elle vient à l’être c’est toujours au prix d’une stéréotypie tenace ou encore cela engendre des discordances, des failles dans la projection du « Soi » national imaginé. De ce point de vue, l’ouvrage fait le point sur certains trajets de représentations imaginaires hégémoniques, tout comme il met l’accent sur les parcours de résistances, d’auto-affirmation et d’auto-représentation des Afro-descendant-e-s de Limón, à travers leurs propres productions à travers leur propre capacité d’agir."]