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[null,"1.","Record Nr.",null,"UNINA9910418023803321"]
[null,null,"Autore",null,"Danielou Alain"]
[null,null,"Titolo",null,"La musique du Cambodge et du Laos / / Alain Danielou"]
[null,null,"Pubbl/distr/stampa",null,"Pondichéry, : Institut Français de Pondichéry, 2019"]
[null,null,"ISBN",null,"979-1-03-654437-8"]
[null,null,"Descrizione fisica",null,"1 online resource (74 p.)"]
[null,null,"Soggetti",null,"Music"]
[{"$nulls":4},"notation"]
[{"$nulls":4},"orchestre"]
[{"$nulls":4},"instrument de musique"]
[{"$nulls":4},"music"]
[{"$nulls":4},"musical instrument"]
[{"$nulls":4},"orchestra"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","La musique du Cambodge et du Laos constitue un système musical particulier et très riche, provenant d’un fonds autochtone mom-khmer, ainsi que d’influences indiennes classiques, malayo-indonésiennes, sino-thaï et chinoises. Il existe quatre systèmes musicaux nettement distincts, représentés par l’orchestre à percussion, l’orchestre à cordes populaire, la musique de khène et le chant religieux. L’ouvrage analyse les causes de la dégénérescence de cette musique, due à l’influence des systèmes chinois et surtout européen, entraînant une paralysie dans le développement de l’improvisation et l’accord erroné des instruments sur des critères exogènes, ce qui conduit à une véritable désintégration culturelle. Les principaux modes musicaux sont transcrits, les descriptions d’instruments sont illustrées de schémas et de photographies. Une bibliographie est incluse.  Cambodia and Laos have a singular and very rich musical tradition that has its roots in native Mon-Khmer but draws also from classical Indian, Malay-Indonesian, Sino-Thai and Chinese music. It includes four distinct musical systems: percussion orchestra, string orchestra, Khene music and religious chant. The author analyses the reasons for the degeneration of this music due to Chinese and above all European "]
[{"$nulls":4},"influences, resulting in an inability to improvise and erroneous synchronization of instruments based on exogenous criteria, leading to a veritable disintegration of culture. The principal modes of music have been transcribed; descriptions of the instruments are accompanied by drawings and photographs. A bibliography is included."]