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[null,"1.","Record Nr.",null,"UNINA9910416510403321"]
[null,null,"Autore",null,"Mulliez Maud"]
[null,null,"Titolo",null,"Le luxe de l’imitation : Les trompe-l’œil de la fin de la République romaine, mémoire des artisans de la couleur / / Maud Mulliez"]
[null,null,"Pubbl/distr/stampa",null,"Naples, : Publications du Centre Jean Bérard, 2019"]
[null,null,"ISBN",null,"2-38050-005-3"]
[null,null,"Descrizione fisica",null,"1 online resource (236 p.)"]
[null,null,"Disciplina",null,"938"]
[null,null,"Soggetti",null,"Mural painting and decoration, Roman"]
[{"$nulls":4},"Trompe l'oeil painting - Rome"]
[{"$nulls":4},"Luxury"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","L'art décoratif qui émerge à la fin de la République romaine sous la forme du trompe-l'oeil architectural est fascinant par le niveau de technicité mis en oeuvre pour représenter un espace tridimensionnel ; il frappe aussi par la richesse des couleurs et des matériaux feints distribués savamment à la surface des murs. La mimèsis y est une composante majeure : représenter l'architecture... certes, mais laquelle ? Inspirés à coup sûr de divers répertoires -- décors de théâtre, édifices hellénistiques -- les trompe-'oeil tardo-républicains puisent aussi dans l'univers sacré. En témoignent les marbres polychromes imités à profusion ainsi que la multiplication des matériaux précieux, bois rares, métaux brillants, ivoire, écaille de tortue, pierres précieuses, textiles lourds ou verre translucide qui contribuent aussi à conférer à ces décors une atmosphère de luxe et d'exotisme."]