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[null,"1.","Record Nr.",null,"UNINA9910404115803321"]
[null,null,"Autore",null,"Bäschlin Nathalie <p>Nathalie Bäschlin, Hochschule der Künste Bern, Schweiz </p>"]
[null,null,"Titolo"]
[{"$nulls":4},"Fragile Werte : Diskurs und Praxis der Restaurierungswissenschaften 1913–2014 / Nathalie Bäschlin"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld, : transcript Verlag, 2020"]
[null,null,"ISBN",null,"9783839451212"]
[{"$nulls":4},"3839451213"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (272 p.)"]
[null,null,"Collana",null,"Image"]
[null,null,"Disciplina",null,"025.8"]
[null,null,"Soggetti",null,"Values"]
[{"$nulls":4},"Werte"]
[{"$nulls":4},"Fragility"]
[{"$nulls":4},"Fragilität"]
[{"$nulls":4},"Painting"]
[{"$nulls":4},"Malerei"]
[{"$nulls":4},"Conservation"]
[{"$nulls":4},"Konservierung"]
[{"$nulls":4},"Museum"]
[{"$nulls":4},"Restaurierung"]
[{"$nulls":4},"Value Category"]
[{"$nulls":4},"Rating"]
[{"$nulls":4},"Wertekategorie"]
[{"$nulls":4},"Francis Picabia"]
[{"$nulls":4},"Bewertung"]
[{"$nulls":4},"Fake"]
[{"$nulls":4},"Painting Technique"]
[{"$nulls":4},"Fälschung"]
[{"$nulls":4},"Materialisation"]
[{"$nulls":4},"Maltechnik"]
[{"$nulls":4},"Paul Klee"]
[{"$nulls":4},"Materialisierung"]
[{"$nulls":4},"Meret Oppenheim"]
[{"$nulls":4},"Colour"]
[{"$nulls":4},"Ironie"]
[{"$nulls":4},"Klodin Erb"]
[{"$nulls":4},"Authenticity"]
[{"$nulls":4},"Farbe"]
[{"$nulls":4},"Patina"]
[{"$nulls":4},"Fluss"]
[{"$nulls":4},"Nostalgia"]
[{"$nulls":4},"Valorisation"]
[{"$nulls":4},"Authentizität"]
[{"$nulls":4},"Art"]
[{"$nulls":4},"Science"]
[{"$nulls":4},"Nostalgie"]
[{"$nulls":4},"Art History of the 20th Century"]
[{"$nulls":4},"Valorisierung"]
[{"$nulls":4},"Museology"]
[{"$nulls":4},"Kunst"]
[{"$nulls":4},"History of Science"]
[{"$nulls":4},"Wissenschaft"]
[{"$nulls":4},"Fine Arts"]
[{"$nulls":4},"Kunstgeschichte des 20. Jahrhunderts"]
[{"$nulls":4},"Museumswissenschaft"]
[{"$nulls":4},"Wissenschaftsgeschichte"]
[{"$nulls":4},"Kunstwissenschaft"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","The \"fragile\" as a separate category of values and its influence on art and the task of preservation."]
[null,null,"Nota di contenuto",null,"Frontmatter    1 INHALT    5 Vorwort    7 Einleitung    9 Craquelé und Schwundrisse    17 Subtil reduziert    37 Gebastelte Metamorphosen    57 Materialmutationen    72 Authentisches Material    86 Die prozesshafte Qualität des Materials    103 Wissenschaftlich-mythisch und authentizitätsstiftend    121 Erhaltungsstrategien    135 Sammlung und Ausstellung    151 Material und Technik    169 Bibliografie    240 Anhang    255"]
[null,null,null,"Sommario/riassunto","»Fragil« nennen wir zerbrechliches Material ebenso wie verletzliche gesellschaftliche Konstitutionen. Das Fragile oszilliert dabei zwischen affirmativen Bewertungen und verunsichernden Konnotationen. Nathalie Bäschlin stellt die These auf, dass sich das Fragile zu einer eigenen Wertekategorie entwickelt hat, die unseren Blick auf die Kunst und die Formulierung des Bewahrungsauftrags nachhaltig beeinflusst. Sie fragt nach dem historischen Kontext, den Motivationen, die unsere Aufmerksamkeit auf das Fragile gelenkt haben, und wie die Auseinandersetzung mit der Fragilität die Praxis und den Diskurs des musealen Bewahrens durchdringt."]