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[null,"1.","Record Nr.",null,"UNINA9910398206503321"]
[null,null,"Autore",null,"Duque Gómez Ernesto"]
[null,null,"Titolo",null,"Geopolítica de los negocios y mercados verdes [[recurso electronico] /] / Ernesto Duque Gómez"]
[null,null,"Pubbl/distr/stampa",null,"Bogotá, : Ecoe Ediciones, 2011"]
[null,null,"ISBN",null,"958-771-037-1"]
[{"$nulls":4},"1-4619-3588-1"]
[{"$nulls":4},"1-4492-6165-5"]
[null,null,"Edizione",null,"[1a. ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (246 p.)"]
[null,null,"Collana",null,"Libros Universitarios. Ecología y medio ambiente"]
[null,null,"Disciplina",null,"333.7"]
[null,null,"Soggetti",null,"Consumo (Economía) - Aspectos ambientales"]
[{"$nulls":4},"Desarrollo sostenible"]
[{"$nulls":4},"Desarrollo económico - Aspectos ambientales"]
[{"$nulls":4},"Environmental economics"]
[{"$nulls":4},"Sustainable development"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Spagnolo"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"Geopolítica de los negocios y mercados verdes; Página legal; Agradecimientos; Contenido; Prólogo; Introducción; 1. El Sentido Político y Culturaldel Consumo; La fragua de la sociedad del riesgo ecológico; Los materiales y la tecnología; El consumo y el consumismo vulneran la Tierra; Teoría de la emulación; Teoría Ética del Self; Teoría de las groceries; El mundo vacante de naturaleza; Preguntas que merecen respuesta; 2. Geopolítica de Negocios y Mercados; Geopolítica de las revoluciones de los negociosy de los recursos naturales; Geopolítica de la ciencia, la tecnología y la innovación"]
[{"$nulls":4},"Primera Revolución Industrial (1732 a 1850)Segunda Revolución Industrial (1870-1914); Tercera Revolución Industrial-Inteligencia (1945-2050); Revolución Verde; Revolución Ecológica (1945-2000); Revolución Azul (2000); Geopolítica del mercado de la vida; Geopolítica internacional del comercio verde; Dumping ecológico; Competitividad bajo estándares ecológicos; Paradigmas de los empresarios verdes; Las barreras mentales para una conversión verde; La mentalidad reglamentadora; La mentalidad costo-beneficio ; La mentalidad del apremio; La mentalidad del desarrollo sostenible"]
[{"$nulls":4},"La mentalidad del lavado verdeLa estrategia corporativa verde para la "]
[{"$nulls":4},"competitividad; Matices empresariales verdes para la competitividad; Matiz empresarial verde claro o verde vegetal; Mejor, más rápido, más económico; Los valores y procesos verde claro; Matiz empresarial verde del mercado; La respuesta a los deseos de los clientes; Ser proactivo: cómo guiar las preferencias del consumidor; Los valores y procesos del verde del mercado; Matiz empresarial verde del interesado en el negocio; Valores y procesos del verde del interesado en el negocio; Matiz empresarial verde oscuro"]
[{"$nulls":4},"Los principios de McDonoughLos valores y procesos verde oscuro; Comprensión del pensamiento ambientalista; Pensamiento de la conservación; Pensamiento de la justicia social; Pensamiento de la ecología profunda; La responsabilidad social ecológica de las empresas; Teoría del biocentrismo; Antropocentrismo; Teoría de la responsabilidad ética; Geopolítica de los Ecosellos- Ecolabel; Historia; Etiquetas ecológicas y declaraciones ambientales tipo i; Etiquetas ecológicas tipo ii; Etiquetas ecológicas y declaraciones ambientales de producto tipo iii"]
[{"$nulls":4},"Geopolítica de los acuerdos internacionales ambientalesHistoria de los tratados internacionales de medio ambiente; Organización Mundial del Comercio y el Acuerdo del Agua - Acuerdosgenerales en los Servicios de Comercio (GATS); Declaración de Estocolmo; Rio de Janeiro - Acuerdo de la Tierra; Los acuerdos de la Cumbre para la Tierra; Convenio sobre Biodiversidad; Convención de las Naciones Unidas de Lucha contra la Desertificación; Convenio Montreal y el Protocolo de Montreal Capade Ozono; Convenio de Basilea - Residuos Peligrosos; Convenio de Bamako - Residuos Peligrosos al África"]
[{"$nulls":4},"Convenio de Rotterdam"]
[null,"2.","Record Nr.",null,"UNINA9910975102903321"]
[null,null,"Titolo",null,"Music, art and performance from Liszt to Riot Grrrl : the musicalization of art / Diane V. Silverthorne, editor"]
[null,null,"Pubbl/distr/stampa",null,"London ; New York, : Bloomsbury Visual Arts, 2019"]
[null,null,"ISBN",null,"9781501330162"]
[{"$nulls":4},"1501330160"]
[{"$nulls":4},"9781501330148"]
[{"$nulls":4},"1501330144"]
[null,null,"Edizione",null,"[First edition.]"]
[null,null,"Descrizione fisica",null,"1 online resource (305 pages)"]
[null,null,"Disciplina",null,"780/.07"]
[null,null,"Soggetti",null,"Art and music"]
[{"$nulls":4},"Performance art"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references"]
[null,null,"Nota di contenuto",null,"Contents -- Introduction - A work in two parts: continuities and discontinuities from romanticism to postmodernism /Diane V. Silverthorne (Central Saint Martins, University of the Arts, London, UK) -- Prelude - The musical in art /Jed Rasula (University of Georgia, Athens, USA) -- Part 1: The musicalization of art -- Spaces of intimacy, touch and temporality -- 1. Romantic musical celebrity and printed portraits: visual intimacy and mass-market distance /Alan Davison (University of Technology, Sydney, Australia) -- 2. Making an entrance: Manet's still life with hat and guitar /Therese Dolan (Temple University, Tyler School of Art, Philadelphia, USA) -- 3. Time in Fin-de-Siècle painting /Anne Leonard (University of Chicago, USA) -- 4. Erik Satie and the interart genre /Ann-Marie Hanlon (Dundalk Institute of Technology, Co. Louth, Ireland) -- 5. The 'Figure in the Carpet': M. K. Ciurlionis and the synthesis of the arts /Spyros Petritakis (University of Crete, Greece) -- Part 2: The musicalization of art -- Spaces of performance, sound and silence -- 6. Music, sound and light: embodied experiences of the modernist and postmodern Gesamtkunstwerk /Diane V. Silverthorne (University of the Arts, London, UK) -- 7. Squaring the circle: Wilfred's Lumia and his rejection "]
[{"$nulls":4},"of 'colour music' /Nick Lambert (Ravensbourne College, London, UK) -- 8. In concert: the emergence of the audio-visual moment in minimalism /Meredith Mowder (Hunter College, The City University of New York, USA) -- 9. Riffing the index: Romare Bearden and the hand of jazz /Nikki A. Greene (Wellesley College, Mass., USA) -- 10. The politics of music and image in contemporary Iranian art: 'the impossibility of putting one's body and voice on a stage' /Kirstie Imber (Birkbeck, University of London, UK) -- 11. Contemporary feminist art, the musical: listening to the visual legacy of Riot Grrrl /Cara Smulevitz (University of Illinois, Chicago, USA) -- Postlude /Diane V. Silverthorne and Alan Davison -- Bibliography"]
[{"$nulls":4},"Contents -- Introduction - A Work in Two Parts: Continuities and Discontinuities from Romanticism to Postmodernism -- Diane V. Silverthorne (Central Saint Martins, University of the Arts, London, UK) -- Prelude - The Musical in Art -- Jed Rasula (University of Georgia, Athens, USA) -- Part 1: The Musicalization of Art -- SPACES OF INTIMACY, TOUCH AND TEMPORALITY -- 1. Romantic Musical Celebrity and Printed Portraits: Visual Intimacy and Mass-Market Distance -- Alan Davison (University of Technology, Sydney, Australia) -- 2. Making an Entrance: Manet's Still Life with Hat and Guitar -- Therese Dolan (Temple University, Tyler School of Art, Philadelphia, USA) -- 3. Time in Fin-de-Siècle Painting -- Anne Leonard (University of Chicago, USA) -- 4. Erik Satie and the Interart Genre -- Ann-Marie Hanlon (Dundalk Institute of Technology, Co. Louth, Ireland) -- 5. The \"Figure in the Carpet\": M. K. Ciurlionis and the synthesis of the arts -- Spyros Petritakis (University of Crete, Greece) -- Part 2: The Musicalization of Art -- SPACES OF PERFORMANCE, SOUND AND SILENCE -- 6. Music, sound and light: Embodied experiences of the modernist and postmodern Gesamtkunstwerk -- Diane V. Silverthorne (University of the Arts, London, UK) -- 7. Squaring the Circle: Wilfred's Lumia and his rejection of \"colour music\" -- Nick Lambert (Ravensbourne College, London, UK) -- 8. In concert: The emergence of the audio-visual moment in minimalism -- Meredith Mowder (Hunter College, The City University of New York, USA) -- 9. Riffing the Index: Romare Bearden and the Hand of Jazz -- Nikki A. Greene (Wellesley College, Mass., USA) -- 10. The Politics of Music and Image in Contemporary Iranian art: \"the impossibility of putting one's body and voice on a stage\" -- Kirstie Imber (Birkbeck, University of London, UK) -- 11. Contemporary Feminist Art, the Musical: Listening to the Visual Legacy of Riot Grrrl -- Cara Smulevitz (University of Illinois, Chicago, USA) -- Postlude -- Diane V. Silverthorne and Alan Davison -- Bibliography"]
[null,null,null,"Sommario/riassunto","\"Opening with an account of print portraiture facilitating Franz Liszt's celebrity status and concluding with Riot Grrrl's noisy politics of feminism and performance, this interdisciplinary anthology charts the relationship between music and the visual arts from late Romanticism and the birth of modernism to 'postmodernism', while crossing from Western art to the Middle East. Focused on music as a central experience of art and life, these essays scrutinize 'the musicalisation of art' focusing on the visual and performing arts and detailing significant instances of intra-art relations between c. 1840 and the present day. Essays reflect on the aesthetic relationships of music to painting, performance and installation, sound-and- silence, time-and-space. The insistent influence of Wagner is considered as well as the work and ideas of Manet, Satie and Cage, Thomas Wilfred, La Monte Young and Eliasson. What distinguishes these studies are the convictions that music is never alone and that a full understanding of the 'isms' of the last two hundred years is best achieved when music's influential presence in the visual arts is acknowledged and interrogated.\"--"]
[{"$nulls":4},"Bloomsbury Publishing"]
[{"$nulls":4},"Opening with an account of print portraiture facilitating Franz Liszt's celebrity status and concluding with Riot Grrrl's noisy politics of feminism and performance, this interdisciplinary anthology charts the relationship between music and the visual arts from late Romanticism and the birth of modernism to 'postmodernism', while crossing from Western art to the Middle East. Focused on music as a central experience of art and life, these essays scrutinize 'the musicalisation of art' focusing on the visual and performing arts and detailing significant instances of intra-art relations between c. 1840 and the present day. Essays reflect on the aesthetic relationships of music to painting, performance and installation, sound-and- silence, time-and-space. The insistent influence of Wagner is considered as well as the work and ideas of Manet, Satie and Cage, Thomas Wilfred, La Monte Young and Eliasson. What distinguishes these studies are the convictions that music is never alone and that a full understanding of the \"isms\" of the last two hundred years is best achieved when music's influential presence in the visual arts is acknowledged and interrogated"]