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[null,"1.","Record Nr.",null,"UNINA9910367739203321"]
[null,null,"Autore",null,"Gaio Ana"]
[null,null,"Titolo",null,"Sustainable Cultural Management"]
[null,null,"Pubbl/distr/stampa",null,"MDPI - Multidisciplinary Digital Publishing Institute, 2019"]
[null,null,"ISBN",null,"3-03921-599-X"]
[null,null,"Descrizione fisica",null,"1 online resource (304 p.)"]
[null,null,"Soggetti",null,"Information technology industries"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","The connections between culture and sustainability have been in the public agenda since the 20th century. However, whilst global sustainability programmes at international institutional levels are yet to recognise the role of culture in their sustainability policies, the bid (albeit failed) in the early 2000s to formally add \"culture\" to the trilogy of sustainability pillars (economic, social, and environmental) mobilised a new discourse for the reframing of cultural policy narrative, which in turn urged a reassessment of methods of cultural management reflecting the same concerns among the sector's grassroots. The idea of sustainability and culture working together and their envisioned role in future-proofing society and human development captured the imagination of cultural commentators, policy makers and practitioners alike, keen to fulfil these principles \"out there\"-in cultural organizations and events mega and small, in cities and regions, local and global. The papers in this Special Issue reflect this appeal. This publication covers a wide selection of issues related to sustainable cultural management, which means that it can be recommended to a varied audience. First of all, it can be recommended to managers experienced in cultural management, where success is measured more by the degree of mission accomplishment and the social benefits achieved rather than by profit. Another group comprises the employees of cultural organizations who want to improve their knowledge of sustainable cultural management. This Special Issue can also be recommended to artists, researchers, students, state and local government employees, founders and patrons of art, and all those who want to understand the importance of sustainable cultural management."]
[null,"2.","Record Nr.",null,"UNINA9910953798703321"]
[null,null,"Autore",null,"Burnett Robert <1956->"]
[null,null,"Titolo",null,"The global jukebox : the international music industry / / Robert Burnett"]
[null,null,"Pubbl/distr/stampa",null,"London ; ; New York, : Routledge, 1996"]
[null,null,"ISBN",null,"1-134-87210-0"]
[{"$nulls":4},"1-134-87209-7"]
[{"$nulls":4},"1-282-32007-6"]
[{"$nulls":4},"9786612320071"]
[{"$nulls":4},"0-203-13777-9"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (186 p.)"]
[null,null,"Collana",null,"Communication and society"]
[null,null,"Disciplina",null,"338.4778"]
[{"$nulls":4},"338.4778164"]
[null,null,"Soggetti",null,"Music trade"]
[{"$nulls":4},"Popular music - History and criticism"]
[{"$nulls":4},"Music - Social aspects"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 153-165) and index."]
[null,null,"Nota di contenuto",null,"Book Cover; Title; Contents; List of figures; List of tables; Acknowledgements; Introduction; Music and the entertainment industry; Music as popular culture; The music industry in transition; The production of popular music; The consumption of popular music; The American example; The Swedish example; Future sounds: a global jukebox?; Postscript; Appendix: Internet World Wide Web (WWW) music home pages; Bibliography; Index"]
[null,null,null,"Sommario/riassunto","Popular music is with us constantly. It is part of our everyday environment and in global terms it is now perhaps the most universal means of communication.The Global Jukebox is the first comprehensive study of the international music industry at a time of great change, as the entertainment industry acknowledges its ever growing global audience. Robert Burnett provides an international overview of the music business and its future prospects in the UK, Northern Europe and the United States and Canada. He examines the relationship between local and global cultures and between concent"]