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[null,"1.","Record Nr.",null,"UNINA9910353336503321"]
[null,null,"Autore",null,"Estévez Sola Juan A"]
[null,null,"Titolo",null,"Continuatio de la Crónica de Alfonso III : Edición, traducción y presentación"]
[null,null,"Pubbl/distr/stampa",null,"Paris, : e-Spania Books, 2012"]
[null,null,"ISBN",null,"2-919448-06-4"]
[null,null,"Descrizione fisica",null,"1 online resource (45 p.)"]
[null,null,"Soggetti",null,"Arts &amp; Humanities"]
[{"$nulls":4},"Literature&#44; Romance"]
[{"$nulls":4},"Chronique d’Alphonse III"]
[{"$nulls":4},"édition critique"]
[{"$nulls":4},"Institution Colombina"]
[{"$nulls":4},"manuscrit 57-1-16"]
[{"$nulls":4},"manuscrit"]
[{"$nulls":4},"Pélage d’Oviedo"]
[{"$nulls":4},"Sampiro"]
[{"$nulls":4},"Crónica de Alfonso III"]
[{"$nulls":4},"edición crítica"]
[{"$nulls":4},"Institución Colombina"]
[{"$nulls":4},"manuscrito 57-1-16"]
[{"$nulls":4},"manuscritos"]
[{"$nulls":4},"Pelayo de Oviedo"]
[null,null,"Lingua di pubblicazione",null,"Spagnolo"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","El presente trabajo estudia las relaciones entre la Continuatio de la Crónica de Alfonso III en su versión a Sebastián presente en el manuscrito 57-1-16 de la Biblioteca Capitular, Institución Colombina, de Sevilla, con la existente en el manuscrito 9880 de la Biblioteca Nacional, único testimonio de esta Continuatio hasta ahora conocido. Dado que se trata de un texto muy cercano al Cronicón de Sampiro, el trabajo estudia igualmente sus relaciones con las versiones conocidas de este texto. Finalmente presenta la edición crítica del texto y su traducción. Este estudio forma parte de los Proyectos de Investigación "]
[{"$nulls":4},"FFI2008-01843 del Plan Nacional de I + D y del P09-HUM-4534, Proyectos de Excelencia de la Junta de Andalucía (FEDER-FSE). Además, queremos dejar aquí constancia pública de nuestra gratitud al Prof. Ricardo Martínez Ortega por sus atinadas correcciones y sugerencias, que sin duda han mejorado el trabajo.  Cet ouvrage présente une comparaison entre la Continuatio de la Chronique d’Alphonse III dans sa version à Sebastien issue du manuscrit 57-1-16 de la Bibliothèque capitulaire de Séville, et le manuscrit 9880 de la Bibliothèque Nationale d’Espagne, seul témoignage de cette Continuatio connu jusqu’ici. La version que nous livre le manuscrit inédit de Séville étant très proche du texte du Chronicon de Sampiro, l’auteur étudie aussi ses relations avec les versions connues de cette dernière œuvre. L’ouvrage comporte, enfin, une édition critique et une traduction de la Continuatio."]
[null,"2.","Record Nr.",null,"UNINA9910780564403321"]
[null,null,"Autore",null,"Ubersfeld Anne"]
[null,null,"Titolo",null,"Reading theatre / / Anne Ubersfeld ; translated by Frank Collins ; edited and with a foreword by Paul Perron and Patrick Debbeche"]
[null,null,"Pubbl/distr/stampa",null,"Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 1999"]
[{"$nulls":4},"©1999"]
[null,null,"ISBN",null,"1-282-03714-5"]
[{"$nulls":4},"9786612037146"]
[{"$nulls":4},"1-4426-7902-6"]
[null,null,"Descrizione fisica",null,"1 online resource (244 p.)"]
[null,null,"Collana",null,"Toronto Studies in Semiotics and Communication"]
[null,null,"Disciplina",null,"792/.01/4"]
[null,null,"Soggetti",null,"Theater - Philosophy"]
[{"$nulls":4},"Theater - Semiotics"]
[{"$nulls":4},"Livres numeriques."]
[{"$nulls":4},"e-books."]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Translation of: Lire le théâtre."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and indexes."]
[null,null,"Nota di contenuto",null,"Ch. I. Text-performance -- ch. II. The actantial model in theatre -- ch. III. The character -- ch. IV. Theatre and space -- ch. V. Theatre and time -- ch. VI. Theatrical discourse -- A prelude to performance."]
[null,null,null,"Sommario/riassunto","First published in France in 1976, Anne Ubersfeld's three-volume work, Lire le theatre, has made a resounding impact on the semiological study of drama. Reading Theatre is a long-awaited translation of the first volume.Clear and systematic in its approach, the book covers all the basic elements of theatrical text and performance. Ubersfeld begins by refuting the view of performance as the simple 'translation' of a dramatic text, and outlines a much more complex dynamic. In subsequent chapters she similarly begins with a brief critique of simplistic models and then teases out the complexities of action, character, space, time, and dialogue. A range of specific examples brings substance and clarity to her points.Ubersfeld shows how such formal analysis can enrich the work of theatre practitioners, offering a fruitful reading of the symbolic structures of stage space and time, and opening up multiple possibilities for interpreting a play's lines of action. Though firmly grounded in formalist and semiotic studies, the "]
[{"$nulls":4},"book exhibits a refreshing scepticism about scientific positivism, stressing the fundamental ambiguity of any dramatic text as well as the sociohistorical grounding of particular text and performance styles.A pioneering work, this contemporary classic continues to inform debates in theatre semiotics. Addressed as much to actors and directors as to students and scholars, it will be read widely in theatre circles throughout the English-speaking world."]