{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":18,"n_cols":5,"rows_kept":18,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[5,2,5,3],[6,2,6,3],[14,2,14,3],[15,2,15,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910341849403321"]
[null,null,"Autore",null,"Germain Greg"]
[null,null,"Titolo",null,"La créolisation, une vision moderne des mondes / / Greg Germain"]
[null,null,"Pubbl/distr/stampa",null,"Avignon, : Éditions Universitaires d’Avignon, 2019"]
[null,null,"ISBN",null,"2-35768-081-4"]
[null,null,"Descrizione fisica",null,"1 online resource (52 p.)"]
[null,null,"Soggetti",null,"Theater"]
[{"$nulls":4},"créolisation"]
[{"$nulls":4},"négritude"]
[{"$nulls":4},"francophonie"]
[{"$nulls":4},"entretien"]
[{"$nulls":4},"expression artistique"]
[{"$nulls":4},"théâtre"]
[{"$nulls":4},"scène"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","« Nous avons longtemps pensé qu’après avoir été très européanisés, avec la négritude on voulait nous africaniser, et que nous n’arriverions jamais à être ce que nous sommes vraiment ».  Relisant Aimé Césaire et « l’immense cri nègre », Greg Germain, Président du Festival Off d’Avignon, invite à réenchanter les cultures de la francophonie par l’imaginaire des langues et la créolisation des mondes."]