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[null,"1.","Record Nr.",null,"UNINA9910341839903321"]
[null,null,"Autore",null,"Salvato Nick <1978->"]
[null,null,"Titolo",null,"Television scales / / Nick Salvato"]
[null,null,"Pubbl/distr/stampa",null,"Brooklyn, NY, : punctum books, 2019"]
[{"$nulls":4},"[Santa Barbara, California] : ; Earth, Milky Way : , : punctum books, , 2019"]
[{"$nulls":4},"©2019"]
[null,null,"ISBN",null,"1-950192-42-3"]
[null,null,"Descrizione fisica",null,"1 online resource (143 pages) : illustrations; PDF, digital file(s)"]
[null,null,"Soggetti",null,"Television broadcasting - Social aspects"]
[{"$nulls":4},"Television programs - Rating"]
[{"$nulls":4},"Television viewers - United States"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,null,"Sommario/riassunto","\"How to reckon with the staggering volume of television materials, past and present? And how to comprehend all the potential, complex scales at which to grapple with television, from its tiniest units of audiovisual content to its most massive industrial coordinates and beyond? In Television Scales, Nick Salvato demonstrates how the problem of scale in the field of television may be turned into a resource and a method for a television studies that would pay better attention to messy medial complexities, peripatetic critical practices, and vulgar psychogeographies. Modeling his investigative practice on the meta-critical writing of social anthropologist Marilyn Strathern in Partial Connections and elsewhere, Salvato composes surprising, partial constellations of television's elements. In the process, his consideration ranges from classic television sitcoms like I Love Lucy to contemporary reality series such as The Biggest Loser, Iron Chef, and House Hunters International. He simultaneously pores over a number of key television phenomena, including technological mystification, performers' charismatic displays, binge viewing, and devoted fandom. An experiment in style and form, Television Scales maps, weighs, and rules television, while also undoing these very strategies for evaluating the medium\"--"]
[null,"2.","Record Nr.",null,"UNINA9910810298003321"]
[null,null,"Autore",null,"Flamand Lee"]
[null,null,"Titolo",null,"American Mass Incarceration and Post-Network Quality Television : Captivating Aspirations / / Lee Flamand"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam, Netherlands : , : Amsterdam University Press B.V., , [2022]"]
[{"$nulls":4},"©2022"]
[null,null,"ISBN",null,"90-485-5368-7"]
[null,null,"Edizione",null,"[First edition.]"]
[null,null,"Descrizione fisica",null,"1 online resource (314 pages)"]
[null,null,"Disciplina",null,"791.456556"]
[null,null,"Soggetti",null,"Criminal justice, Administration of - United States"]
[{"$nulls":4},"Prisons - United States"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Table of Contents -- The Captivating Aspirations of Post-Network Quality Television in the Age of Mass Incarceration: An Introduction -- 1. Mass (Mediating) Incarceration -- 2. How Does Violent Spectacle Appear as TV Realism? Sources of OZ’s Penal Imaginary -- 3. If It’s Not TV, is It Sociology? The Wire -- 4. Is Entertainment the New Activism? Orange Is the New Black, Women’s Imprisonment, and the Taste for Prisons -- 5. Can Melodrama Redeem American History? Ava DuVernay’s 13th and Queen Sugar -- Conclusion: American Politics and Prison Reform after TV’s Digital Turn -- Bibliography -- Acknowledgements -- Index"]
[null,null,null,"Sommario/riassunto","Far more than a building of brick and mortar, the prison relies upon gruesome stories circulated as commercial media to legitimize its institutional reproduction. Perhaps no medium has done more in recent years to both produce and intervene in such stories than television. This unapologetically interdisciplinary work presents a series of investigations into some of the most influential and innovative treatments of American mass incarceration to hit our screens in recent decades. Looking beyond celebratory accolades, Lee A. Flamand argues that we cannot understand the eagerness of influential programs such as OZ, The Wire, Orange Is the New Black, 13th, and Queen Sugar to integrate the sensibilities of prison ethnography, urban sociology, identity politics activism, and even Black feminist theory into their narrative structures without understanding how such critical postures relate to the cultural aspirations and commercial goals of a quickly "]
[{"$nulls":4},"evolving TV industry and the most deeply ingrained continuities of American storytelling practices."]