{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":3,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":43,"n_cols":5,"rows_kept":43,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[3,2,3,3],[4,2,4,3],[5,2,5,3],[6,2,6,3],[8,2,8,3],[9,2,9,3],[10,2,10,3],[11,2,11,3],[13,2,13,3],[13,4,13,5],[14,2,14,3],[14,4,14,5],[15,2,15,3],[15,4,15,5],[16,2,16,3],[17,2,17,3],[18,2,18,3],[19,2,19,3],[21,2,21,3],[22,2,22,3],[24,2,24,3],[25,2,25,3],[29,2,29,3],[29,4,29,5],[30,2,30,3],[30,4,30,5],[31,2,31,3],[31,4,31,5],[32,2,32,3],[34,2,34,3],[35,2,35,3],[36,2,36,3],[37,2,37,3],[39,2,39,3],[40,2,40,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910330156003321"]
[null,null,"Titolo",null,"In trincea : gli scrittori alla grande guerra : atti del Convegno internazionale di studi, Firenze, 22, 23, 24 ottobre 2015 / a cura di Simone Magherini"]
[null,null,"Pubbl/distr/stampa",null,"Firenze : Società editrice fiorentina, 2017"]
[null,null,"ISBN",null,"978-88-6032-428-3"]
[null,null,"Descrizione fisica",null,"XI, 527 p. ; 22 cm"]
[null,null,"Collana",null,"Biblioteca Palazzeschi ; 16 / Centro di studi Aldo Palazzeschi"]
[null,null,"Disciplina",null,"850.900912"]
[{"$nulls":4},"940.41450922"]
[null,null,"Locazione",null,"FLFBC"]
[null,null,"Collocazione",null,"850.9009 CONV FIRENZE 2015"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNISALENTO991002875869707536"]
[null,null,"Autore",null,"Rey, Alain"]
[null,null,"Titolo",null,"De l'artisanat du dictionnaire à une science du mot : [images et modèles] / Alain Rey"]
[null,null,"Pubbl/distr/stampa",null,"Paris : A. Colin, c2008"]
[null,null,"ISBN",null,"9782200351458"]
[null,null,"Descrizione fisica",null,"302 p. ; 24 cm"]
[null,null,"Collana",null,"Collection U. Linguistique"]
[{"$nulls":4},"Les classiques du fonds"]
[null,null,"Disciplina",null,"440"]
[null,null,"Soggetti",null,"Lessicografia - Francia"]
[{"$nulls":4},"Lessicologia"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Sottotitolo in copertina"]
[null,null,null,"Nota di bibliografia","Bibliografia: p. 269-280. Indici"]
[null,"3.","Record Nr.",null,"UNINA9910887918603321"]
[null,null,"Autore",null,"Bernardi Alessandro"]
[null,null,"Titolo",null,"Da 'città Del Silenzio' a Città Delle Macchine : Prato Nel Cinema Degli Anni '50"]
[null,null,"Pubbl/distr/stampa",null,"Firenze : , : Firenze University Press, , 2011"]
[{"$nulls":4},"©2010"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 electronic resource (40 p.)"]
[null,null,"Collana",null,"Pluriverso – Quaderni della Biblioteca del Polo Universitario di Prato"]
[null,null,"Soggetti",null,"Photography & photographs"]
[{"$nulls":4},"Film, TV & radio"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","One of the most beautiful films of Italian cinematic Neorealism, Giovanna, a real pearl by Gillo Pontecorvo dated 1955, is almost completely unknown to the public. Entirely filmed in Prato, inside an old factory, now dismantled, and fully interpreted by workers and employees of the various textile companies of the city, the film tells the struggle of the workers to defend their jobs against the thirst for profits of the bosses and also against their own husbands who want them to stay at home to look after the children. It is not only a magnificent document of industrial archaeology, but also and above all the portrait of a new woman, modern and ancient at the same time."]