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[null,"1.","Record Nr.",null,"UNINA9910480223803321"]
[null,null,"Autore",null,"Chor Winnie"]
[null,null,"Titolo",null,"Directional particles in Cantonese : form, function, and grammaticalization / / Winnie Chor"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam ; ; Philadelphia : , : John Benjamins Publishing Company, , [2018]"]
[{"$nulls":4},"©2018"]
[null,null,"Descrizione fisica",null,"1 online resource (240 pages)"]
[null,null,"Collana",null,"Studies in chinese language and discourse ; ; Volume 9"]
[null,null,"Disciplina",null,"495.17/95127"]
[null,null,"Soggetti",null,"Cantonese dialects - Particles"]
[{"$nulls":4},"Cantonese dialects - Grammar"]
[{"$nulls":4},"Chinese language - Grammar"]
[{"$nulls":4},"Electronic books."]
[{"$nulls":4},"China Languages"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Reprint of author's thesis (Ph. D.)--University of Sydney, 2011."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,"2.","Record Nr.",null,"UNINA9910315242503321"]
[null,null,"Autore",null,"Sabot Philippe"]
[null,null,"Titolo",null,"Le Même et l'Ordre : Michel Foucault et le savoir à l'âge classique / / Philippe Sabot"]
[null,null,"Pubbl/distr/stampa",null,"Lyon, : ENS Éditions, 2015"]
[null,null,"ISBN",null,"2-84788-717-2"]
[{"$nulls":4},"2-84788-716-4"]
[null,null,"Descrizione fisica",null,"1 online resource (174 p.)"]
[null,null,"Soggetti",null,"Archaeology"]
[{"$nulls":4},"History"]
[{"$nulls":4},"savoir"]
[{"$nulls":4},"archive"]
[{"$nulls":4},"âge classique"]
[{"$nulls":4},"ordre"]
[{"$nulls":4},"même"]
[{"$nulls":4},"connaissance"]
[{"$nulls":4},"Foucault (Michel)"]
[{"$nulls":4},"Les mots et les choses"]
[{"$nulls":4},"knowledge"]
[{"$nulls":4},"classical age"]
[{"$nulls":4},"order"]
[{"$nulls":4},"same"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Dans Les mots et les choses (1966), Michel Foucault accorde une place centrale à l’analyse de la disposition archéologique du savoir classique. Le présent ouvrage s’attache à expliciter les principaux enjeux de cette analyse, en montrant qu’elle renvoie au fond à une double interrogation. De quelle pensée du Même l’épistémè de l’âge classique relève-t-elle ? Et comment cette pensée du Même en vient-elle à organiser la mise en ordre des choses dans des savoirs positifs (grammaire générale, histoire naturelle, analyse des richesses) qui s’élaborent eux-mêmes suivant les contraintes épistémologiques fortes "]
[{"$nulls":4},"d’une nomenclature et d’une taxinomie ? La première interrogation engage clairement le statut philosophique d’une archéologie du savoir de l’âge classique. La seconde implique en outre, pour l’archéologue, une manière de travailler et de penser à partir de l’archive discursive d’une époque.  Le livre de Philippe Sabot s’efforce ainsi de rendre compte de cette double dimension de l’analyse archéologique de Foucault en attirant l’attention à la fois sur l’effort de systématisation dont relève une telle analyse et sur le traitement particulier qu’elle propose des archives du savoir.  In The Order of Things (1966), Michel Foucault focuses on the analysis of the archeological configuration of classical knowledge. This book aims to clarify the main issues of such an analysis and shows how it refers to a double question. On what sort of « thought of the Same » does the classical épistémè depend ? And how does this « thought of the Same » manage to organize the implementation of things in positive knowledge (general grammar, natural history, analysis of wealth) under the dual constraint of a classification and a taxonomy ? The first question concerns obviously the philosophical status of an archeology of classical knowledge. The second one additionnally involves for the archeologist a way of working and thinking from the discursive archive of an epoch.  Philippe Sabot’s…"]