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[null,"1.","Record Nr.",null,"UNINA9910138857303321"]
[null,null,"Autore",null,"Bécherrawy Tamer"]
[null,null,"Titolo",null,"Mechanical and electromagnetic vibrations and waves [[electronic resource] /] / Tamer Bécherrawy"]
[null,null,"Pubbl/distr/stampa",null,"Hoboken, N.J., : John Wiley & Sons, Inc.,"]
[{"$nulls":4},"London, : ISTE Ltd., 2012"]
[null,null,"ISBN",null,"1-118-58652-2"]
[{"$nulls":4},"1-118-58656-5"]
[{"$nulls":4},"1-118-58654-9"]
[{"$nulls":4},"1-299-18693-9"]
[null,null,"Edizione",null,"[1st edition]"]
[null,null,"Descrizione fisica",null,"1 online resource (414 p.)"]
[null,null,"Collana",null,"ISTE"]
[null,null,"Disciplina",null,"531.32"]
[{"$nulls":4},"531/.32"]
[{"$nulls":4},"620.11248"]
[null,null,"Soggetti",null,"Electromagnetic fields - Mathematical models"]
[{"$nulls":4},"Electromagnetic waves - Mathematical models"]
[{"$nulls":4},"Electrodynamics - Mathematical models"]
[{"$nulls":4},"Oscillations - Mathematical models"]
[{"$nulls":4},"Engineering mathematics"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Cover; Title Page; Copyright Page; Table of Contents; Preface; Chapter 1. Free Oscillations; 1.1. Oscillations and waves, period and frequency; 1.2. Simple harmonic vibrations: differential equation and linearity; 1.3. Complex representation and phasor representation; 1.4. Point mass subject to a force-Kx; 1.5. Angular oscillations; 1.6. Damped oscillations; 1.7. Dissipation of the energy of a damped oscillator; 1.8. Oscillating LCR circuits; 1.9. Small oscillations of a system with one degree of freedom; 1.10. Nonlinear oscillators; 1.11. Systems with two degrees of freedom"]
[{"$nulls":4},"1.12. Generalization to systems with n degrees of freedom1.13. Normal variables for systems with n degrees of freedom*; 1.14. Summary; 1.15. Problem solving suggestions; 1.16. Conceptual questions; 1.17. Problems; Chapter 2. Superposition of Harmonic Oscillations, Fourier Analysis; 2.1. Superposition of two scalar and isochronous simple "]
[{"$nulls":4},"harmonic oscillations; 2.2. Superposition of two perpendicular and isochronous vector oscillations, polarization; 2.3. Superposition of two perpendicular and non-isochronous oscillations"]
[{"$nulls":4},"2.4. Superposition of scalar non-synchronous harmonic oscillations, beats2.5. Fourier analysis of a periodic function; 2.6. Fourier analysis of a non-periodic function; 2.7. Fourier analysis of a signal, uncertainty relation; 2.8. Dirac delta-function; 2.9. Summary; 2.10. Problem solving suggestions; 2.11. Conceptual questions; 2.12. Problems; Chapter 3. Forced Oscillations; 3.1. Transient regime and steady regime; 3.2. Case of a simple harmonic excitation force; 3.3. Resonance; 3.4. Impedance and energy of a forced oscillator in the steady regime; 3.5. Complex impedance"]
[{"$nulls":4},"3.6. Sustained electromagnetic oscillations3.7. Excitation from a state of equilibrium*; 3.8. Response to an arbitrary force, nonlinear systems*; 3.9. Excitation of a system of coupled oscillators*; 3.10. Generalization of the concepts of external force and impedance*; 3.11. Some applications; 3.12. Summary; 3.13. Problem solving suggestions; 3.14. Conceptual questions; 3.15. Problems; Chapter 4. Propagation in Infinite Media; 4.1. Propagation of one-dimensional waves; 4.2. Propagation of two- and three-dimensional waves; 4.3. Propagation of a vector wave"]
[{"$nulls":4},"4.4. Polarization of a transverse vector wave4.5. Monochromatic wave, wave vector and wavelength; 4.6. Dispersion; 4.7. Group velocity; 4.8. Fourier analysis for waves*; 4.9. Modulation*; 4.10. Energy of waves; 4.11. Other unattenuated wave equations, conserved quantities*; 4.12. Impedance of a medium*; 4.13. Attenuated waves; 4.14. Sources and observers in motion, the Doppler effect and shock waves; 4.15. Summary; 4.16. Problem solving suggestions; 4.17. Conceptual questions; 4.18. Problems; Chapter 5. Mechanical Waves; 5.1. Transverse waves on a taut string"]
[{"$nulls":4},"5.2. Strain and stress in elastic solids"]
[null,null,null,"Sommario/riassunto","Dealing with vibrations and waves, this text aims to provide understanding of the basic principles and methods of analysing various physical phenomena.  The content includes the general properties of propagation, a detailed study of mechanical (elastic and acoustic) and electromagnetic waves, propagation, attenuation, dispersion, reflection, interference and diffraction of waves.   It features chapters on the effect of motion of sources and observers (both classical and relativistic), emission of electromagnetic waves, standing and guided waves and a final chapter on de Broglie wa"]
[null,"2.","Record Nr.",null,"UNINA9910300021203321"]
[null,null,"Titolo",null,"American-Australian Cinema : Transnational Connections / / edited by Adrian Danks, Stephen Gaunson, Peter C. Kunze"]
[null,null,"Pubbl/distr/stampa",null,"Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018"]
[null,null,"ISBN",null,"9783319666761"]
[{"$nulls":4},"3319666762"]
[null,null,"Edizione",null,"[1st ed. 2018.]"]
[null,null,"Descrizione fisica",null,"1 online resource (XVII, 333 p. 15 illus., 10 illus. in color.)"]
[null,null,"Disciplina",null,"791.4366"]
[null,null,"Soggetti",null,"Motion pictures"]
[{"$nulls":4},"Australasia"]
[{"$nulls":4},"Motion pictures, American"]
[{"$nulls":4},"Culture"]
[{"$nulls":4},"Australasian Film and TV"]
[{"$nulls":4},"American Film and TV"]
[{"$nulls":4},"Global Film and TV"]
[{"$nulls":4},"Global and International Culture"]
[{"$nulls":4},"Australasian Culture"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references at the end of each chapters and index."]
[null,null,"Nota di contenuto",null,"1. Where I'm Calling From: An American-Australian Cinema? -- 2. Rudimentary Modernism: Ken G. Hall, Rear-Projection and 1930s Hollywood -- 3. Simulated Scenery: Travel Cinema, Special Effects and For the Term of His Natural Life -- 4. Representations and Hybridisations in First Nation Cinema: Change and Newness by Fusion -- 5. Of Mothers and Madwomen: Mining the Emotional Terrain of Toni Collette's Anti-Star Persona -- 6. Accented Relations: Mad Max on US Screens -- 7. Talking Trash with Tarantino: Auteurism, Aesthetics and Authority in Not Quite Hollywood -- 8. Australian Horror Movies and the American Market -- 9. The Female Gothic Meets the Terrible Terrace House : Transnational Exchanges and the Suburban Australian Horror of The Babadook -- 10. American Cartel: Block Bookings and the Paramount Plan -- 11. The Multiplex Era -- 12. \"Zest to the Jaded Movie Palate\": Wallace Worsley, Scott Dunlap and The Romance of Runnibede (1928) -- 13. Defining Neverland: P. J. Hogan, J. M. Barrie, "]
[{"$nulls":4},"and Peter Pan in Post-Mabo Australia -- 14. The Great Gatsby: Telling National Iconic Stories Through a Transnational Lens."]
[null,null,null,"Sommario/riassunto","This edited collection assesses the complex historical and contemporary relationships between US and Australian cinema by tapping directly into discussions of national cinema, transnationalism and global Hollywood. While most equivalent studies aim to define national cinema as independent from or in competition with Hollywood, this collection explores a more porous set of relationships through the varied production, distribution and exhibition associations between Australia and the US. To explore this idea, the book investigates the influence that Australia has had on US cinema through the exportation of its stars, directors and other production personnel to Hollywood, while also charting the sustained influence of US cinema on Australia over the last hundred years. It takes two key points in time-the 1920s and 1930s and the last twenty years-to explore how particular patterns of localism, nationalism, colonialism, transnationalism and globalisation have shaped its course overthe last century. The contributors re-examine the concept and definition of Australian cinema in regard to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although this concentration on US production, or influence, is particularly acute in relation to developments such as the opening of international film studios in Melbourne, Sydney, Adelaide and the Gold Coast over the last thirty years, the book also examines a range of Hollywood financed and/or conceived films shot in Australia since the 1920s."]