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[null,"1.","Record Nr.",null,"UNINA9910297031303321"]
[null,null,"Autore",null,"Amico Marta"]
[null,null,"Titolo",null,"Fictions et frictions culturelles : Art et patrimoine en action / / Jean-Philippe Garric"]
[null,null,"Pubbl/distr/stampa",null,"Paris, : Éditions de la Sorbonne, 2018"]
[null,null,"ISBN",null,"979-1-03-510294-4"]
[null,null,"Descrizione fisica",null,"1 online resource (240 p.)"]
[null,null,"Soggetti",null,"Art"]
[{"$nulls":4},"Cultural studies"]
[{"$nulls":4},"mondialisation"]
[{"$nulls":4},"Inde"]
[{"$nulls":4},"art africain"]
[{"$nulls":4},"conflit mémoriel"]
[{"$nulls":4},"paysage post-industriel"]
[{"$nulls":4},"Uruguay"]
[{"$nulls":4},"Rwanda"]
[{"$nulls":4},"musées d’Ethiopie"]
[{"$nulls":4},"globalisation"]
[{"$nulls":4},"India"]
[{"$nulls":4},"african art"]
[{"$nulls":4},"conflicting memories"]
[{"$nulls":4},"post-industrial landscape"]
[{"$nulls":4},"museography in Ethiopia"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Fluctuante et protéiforme, la culture peut être source de conflit autant que d’identification, riche de ses influences ou bien porteuse d’une mémoire difficile à révéler. Ce volume, au travers de huit textes pluridisciplinaires, porte un regard sur cet espace de jonction et d’articulation entre art et patrimoine qui compose la culture. Les croisements ne se font jamais sans heurts ni frictions ; ils sont également le creuset de nouvelles narrations, qui rendent singulière chaque histoire. Par le biais des deux entités que sont les processus de "]
[{"$nulls":4},"patrimonialisation et les pratiques de la création artistique, le présent ouvrage traite des questions de mondialisation, d’adoption ou de rejet des influences ainsi que des rapports de domination Nord-Sud. Il montre également comment certains territoires désemparés, par le prisme des arts et des actions collectives, sont ré-imaginés et patrimonialisés. Tout cela ne va pas sans opérer des choix destinés à constituer et à colporter une histoire, une mémoire. Cette conservation des sources mémorielles ne pourrait exister sans les institutions ni les musées qui, pour servir un discours, sélectionnent, exposent ou, au contraire, occultent. Mais que penser de la constitution de patrimoines quand ils sont le fruit d’une amnésie sélective ?"]
[null,"2.","Record Nr.",null,"UNINA9910162772403321"]
[null,null,"Autore",null,"Ziolkowski Theodore"]
[null,null,"Titolo",null,"Music into fiction : composers writing, compositions imitated / / Theodore Ziolkowski"]
[null,null,"Pubbl/distr/stampa",null,"Rochester, NY : , : Camden House, , 2017"]
[null,null,"ISBN",null,"1-78204-917-7"]
[null,null,"Descrizione fisica",null,"1 online resource (xi, 248 pages) : digital, PDF file(s)"]
[null,null,"Collana",null,"Studies in German literature, linguistics, and culture"]
[null,null,"Disciplina",null,"780/.08"]
[null,null,"Soggetti",null,"Music and literature"]
[{"$nulls":4},"Musicians as authors"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from publisher's bibliographic system (viewed on 02 Jun 2017)."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Preface -- Prelude: Introduction. First movement: Composers writing. Weber and Hoffmann -- Berlioz and Schumann -- Wagner -- Transition: Nietzsche and the post-Wagnerians. Burgess -- Second movement: compositions imitated. Compositional forms -- Specific compositions -- Finale: composers setting fictional compositions. Leverkuhn's compositions -- Coda: Conclusion."]
[null,null,null,"Sommario/riassunto","This book deals with three aspects that have been neglected in the burgeoning field of music and literature. The \"First Movement\" of the book considers writers from German Romanticism to the present who, like Robert Schumann, first saw themselves as writers before they turned to composition, or, like E. T. A. Hoffmann and Anthony Burgess, sought careers in music before becoming writers. It also considers the few operatic composers, such as Richard Wagner and Arnold Schoenberg, who wrote their own libretti. The \"Second Movement\" turns to literary works based specifically on musical compositions. This group includes, first and more generally, prose works whose author chose a specific musical form such as sonata or fugue as an organizational model. And second, it includes novels based structurally or thematically on specific compositions, such as Bach's <I>Goldberg Variations.</I> The \"Finale\" concludes with a unique case: efforts by modern composers to render musically the compositions described in detail by Thomas Mann in his novel <I>Doktor Faustus.</I> This book, which addresses itself to readers interested generally in music and literature and is written in a reader-friendly style, draws attention to unexplored dimensions of the music-literature relationship and to the sometimes unrecognized talents of certain writers and composers."]
[{"$nulls":4},"<BR><BR>  Theodore Ziolkowski is ProfessorEmeritus of German and Comparative Literature, Princeton University.<BR><BR>"]