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[null,"1.","Record Nr.",null,"UNINA9910765796403321"]
[null,null,"Autore",null,"Siikala Anna-Leena"]
[null,null,"Titolo",null,"Hidden rituals and public performances: Traditions and belonging among the post-Soviet Khanty, Komi and Udmurts"]
[null,null,"Pubbl/distr/stampa",null,"Helsinki, Finland, : Finnish Literature Society / SKS, 2011"]
[null,null,"ISBN",null,"952-222-812-5"]
[null,null,"Descrizione fisica",null,"1 online resource (365)"]
[null,null,"Soggetti",null,"Social & cultural anthropology, ethnography"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Why are Khanty shamans still active? What are the folklore collectives of Komi? Why are the rituals of Udmurts performed at cultural festivals? In their insightful ethnographic study Anna-Leena Siikala and Oleg Ulyashev attempt to answer such questions by analysing the recreation of religious traditions, myths, and songs in public and private performances. Their work is based on long term fieldwork undertaken during the 1990s and 2000s in three different places, the Northern Ob region in North West Siberia and in the Komi and Udmurt Republics. It sheds light on how different traditions are favoured and transformed in multicultural Russia today. Siikala and Ulyashev examine rituals, songs, and festivals that emphasize specificity and create feelings of belonging between members of families, kin groups, villages, ethnic groups, and nations, and interpret them from a perspective of area, state, and cultural policies. A closer look at post-Soviet Khanty, Komi and Udmurts shows that opportunities to perform ethnic culture vary significantly among Russian minorities with different histories and administrative organisation. Within this variation the dialogue between local and administrative needs is decisive."]
[null,"2.","Record Nr.",null,"UNINA9910291734703321"]
[null,null,"Autore",null,"Morin Céline"]
[null,null,"Titolo",null,"Les héroïnes de séries américaines : : De Ma sorcière Bien-aimée à The good wife / / Céline Morin"]
[null,null,"Pubbl/distr/stampa",null,"Presses universitaires François-Rabelais (PUFR), 2017"]
[{"$nulls":4},"[s.l.] : , : Presses universitaires François-Rabelais (PUFR), , 2017"]
[null,null,"ISBN",null,"9782869066724"]
[{"$nulls":4},"2869066724"]
[null,null,"Descrizione fisica",null,"1 online resource (1 p.)"]
[null,null,"Soggetti",null,"Television"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Est-il possible pour les héroïnes de Sex and the City de réconcilier féminité et féminisme ? Les déceptions amoureuses d'Ally Mc Beal traduisent-elle un modèle romantique à bout de souffle ? Reflet des évolutions de la société, la fiction américaine met en scène idéologies, fantasme de l'amour et conflits entre hommes et femmes. Passant au crible soixante années de fiction télé américaine, Céline Morin analyse les relations amoureuses et les inégalités de genre en ouvrant un dialogue avec les théories féministes et une sociologie de la conjugalité et de l'individualisme."]