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[null,"1.","Record Nr.",null,"UNINA9910136324503321"]
[null,null,"Titolo",null,"Diagnosis and Treatment of Myocarditis / / edited by Jose Milei and Giuseppe Ambrosio"]
[null,null,"Pubbl/distr/stampa",null,"Rijeka, Croatia : , : InTech, , 2013"]
[null,null,"ISBN",null,"953-51-7139-9"]
[{"$nulls":4},"953-51-1082-9"]
[null,null,"Descrizione fisica",null,"1 online resource (208 pages) : illustrations some color"]
[null,null,"Disciplina",null,"616.124"]
[null,null,"Soggetti",null,"Myocarditis"]
[{"$nulls":4},"Cardiovascular pharmacology"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,"2.","Record Nr.",null,"UNINA9910284443303321"]
[null,null,"Autore",null,"Bégin Richard"]
[null,null,"Titolo",null,"Baroque cinématographique : Essai sur le cinéma de Raoul Ruiz / / Richard Bégin"]
[null,null,"Pubbl/distr/stampa",null,"Saint-Denis, : Presses universitaires de Vincennes, 2018"]
[null,null,"ISBN",null,"2-84292-770-2"]
[{"$nulls":4},"2-84292-321-9"]
[null,null,"Descrizione fisica",null,"1 online resource (152 p.)"]
[null,null,"Soggetti",null,"Film  Radio  Television"]
[{"$nulls":4},"baroque"]
[{"$nulls":4},"cinéma"]
[{"$nulls":4},"esthétique"]
[{"$nulls":4},"fiction"]
[{"$nulls":4},"plan cinématographique"]
[{"$nulls":4},"poétique"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Le cinéma de Raoul Ruiz est souvent qualifié de baroque sans que soit expliqué en quoi consiste le « baroque cinématographique ». Récits labyrinthiques, décors en trompe-l’œil, personnages excentriques, les films de Raoul Ruiz abondent en thèmes et figures dites baroques. On y découvre aussi un processus spéculaire et ludique spécifiquement cinématographique. L’analyse est ainsi entraînée au-delà de la simple recension générique. Des Trois Couronnes du matelot à Trois Vies et une seule mort en passant par Généalogies d’un crime, elle met au jour les symptômes d’une expressivité baroque trans-historique et intermédiatique susceptible de s’incarner dans un langage conscient de ses propres possibilités et des limites inhérentes à la cohérence narrative. Ce faisant, elle participe à une étude esthétique de la sensibilité baroque."]