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[null,"1.","Record Nr.",null,"UNINA9910255067903321"]
[null,null,"Autore",null,"Daddario Will"]
[null,null,"Titolo",null,"Baroque, Venice, Theatre, Philosophy / / by Will Daddario"]
[null,null,"Pubbl/distr/stampa",null,"Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017"]
[null,null,"ISBN",null,"9783319495231"]
[{"$nulls":4},"3319495232"]
[null,null,"Edizione",null,"[1st ed. 2017.]"]
[null,null,"Descrizione fisica",null,"1 online resource (IX, 261 p.)"]
[null,null,"Collana",null,"Performance Philosophy, , 2057-7176"]
[null,null,"Disciplina",null,"792.09"]
[null,null,"Soggetti",null,"Theater - History"]
[{"$nulls":4},"Aesthetics"]
[{"$nulls":4},"Europe - History - 1492-"]
[{"$nulls":4},"Arts"]
[{"$nulls":4},"Theater"]
[{"$nulls":4},"Theatre History"]
[{"$nulls":4},"History of Early Modern Europe"]
[{"$nulls":4},"Fine Art"]
[{"$nulls":4},"National and Regional Theatre and Performance"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction -- Part I. Baroque Pastoral -- Chapter 1. Garden Thinking and Baroque Pastoral -- Chapter 2. Pastoral Askew and Aslant -- Chapter 3. Jesuit Pastoral Theatre -- Part II. Discipline and Excess -- Chapter 4. Ruzzante Takes Place -- Chapter 5. The Enscenement of Self and the Jesuit 'Teatro del Mondo' -- Chapter 6. Baroque Diarchic Self -- Bibliography -- Index."]
[null,null,null,"Sommario/riassunto","This book theorizes the baroque as neither a time period nor an artistic style but as a collection of bodily practices developed from clashes between governmental discipline and artistic excess, moving between the dramaturgy of Jesuit spiritual exercises, the political theatre-making of Angelo Beolco (aka Ruzzante), and the civic governance of the Venetian Republic at a time of great tumult. The manuscript assembles plays seldom read or viewed by English-speaking audiences, archival materials from three Venetian archives, and several secondary sources on baroque, Renaissance, and early modern epistemology in order to forward and argument for understanding the baroque as a "]
[{"$nulls":4},"gathering of social practices. Such a rethinking of the baroque aims to complement the already lively studies of neo-baroque aesthetics and ethics emerging in contemporary scholarship on (for example) Latin American political art."]