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[null,"1.","Record Nr.",null,"UNINA9910480622703321"]
[null,null,"Autore",null,"Potter W. James"]
[null,null,"Titolo",null,"Theory of media literacy [[electronic resource] ] : a cognitive approach / / W. James Potter"]
[null,null,"Pubbl/distr/stampa",null,"Thousand Oaks, California, : SAGE, 2004"]
[null,null,"ISBN",null,"1-322-42010-6"]
[{"$nulls":4},"1-4833-2888-0"]
[{"$nulls":4},"1-4522-4540-1"]
[null,null,"Descrizione fisica",null,"1 online resource (321 p.)"]
[null,null,"Disciplina",null,"302.23"]
[null,null,"Soggetti",null,"Media literacy"]
[{"$nulls":4},"Information literacy"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 265-287) and index."]
[null,null,"Nota di contenuto",null,"Cover; Contents; Preface; Acknowledgments; Part I - Background; Chapter 1 - Why Do We Need a Theory of Media Literacy; Chapter 2 - Explicating the Construct of Media Literacy; Part II - Introducing the Theory; Chapter 3 - Definitions and Distinctions; Chapter 4 - The Media Literacy Model; Chapter 5 - The Foundational Knowledge Structures; Chapter 6 - The Personal Locus; Chapter 7 - Competencies and Skills of Media Literacy; Part III - Information Processing; Chapter 8 - The Filtering Task; Chapter 9 - The Meaning-Matching Task; Chapter 10 - The Meaning-Construction Task"]
[{"$nulls":4},"Chapter 11 - Traps in Meaning ConstructionPart IV - Practices; Chapter 12 - Practices; Appendix A: Definitions of Literacy; Appendix B: Purpose of Media Literacy; References; Index; About the Author"]
[null,null,null,"Sommario/riassunto","Media literacy is a topic of increasing interest, especially to educators. W. James Potter offers the first comprehensive assessment of this subject."]
[null,"2.","Record Nr.",null,"UNISA996392203803316"]
[null,null,"Autore",null,"N. T"]
[null,null,"Titolo",null,"The resolver, or, A short vvord [[electronic resource] ] : to the large question of the times. Concerning the Parliament: and confirming the proceedings about the King. Being, a letter written to a deare friend, tending to satisfie him. At least, to shew the authour rationall, in approving the proceedings of the Army. / / Imprimatur Gilbert Mabbot"]
[null,null,"Pubbl/distr/stampa",null,"London, : Printed by I.C. and are to be sold at the Crown in Popes-head-Alley, 1648 [i.e. 1649]"]
[null,null,"Descrizione fisica",null,"8 p"]
[null,null,"Soggetti",null,"Great Britain History Civil War, 1642-1649 Sources"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Signed at end: N.T."]
[{"$nulls":4},"Annotation on Thomason copy: \"Jan: 23\"."]
[{"$nulls":4},"Reproduction of the original in the British Library."]
[null,null,null,"Sommario/riassunto","eebo-0018"]
[null,"3.","Record Nr.",null,"UNINA9910255063503321"]
[null,null,"Autore",null,"Aldana Reyes Xavier"]
[null,null,"Titolo",null,"Spanish Gothic : National Identity, Collaboration and Cultural Adaptation / / by Xavier Aldana Reyes"]
[null,null,"Pubbl/distr/stampa",null,"London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017"]
[null,null,"ISBN",null,"9781137306012"]
[{"$nulls":4},"1137306017"]
[null,null,"Edizione",null,"[1st ed. 2017.]"]
[null,null,"Descrizione fisica",null,"1 online resource (X, 241 p.)"]
[null,null,"Collana",null,"Palgrave Gothic, , 2634-6222"]
[null,null,"Disciplina",null,"791.4301"]
[null,null,"Soggetti",null,"Motion pictures"]
[{"$nulls":4},"Ethnology - Europe"]
[{"$nulls":4},"Culture"]
[{"$nulls":4},"Motion pictures - History"]
[{"$nulls":4},"Literature - History and criticism"]
[{"$nulls":4},"Motion picture plays, European"]
[{"$nulls":4},"European literature"]
[{"$nulls":4},"Film Theory"]
[{"$nulls":4},"European Culture"]
[{"$nulls":4},"Film and TV History"]
[{"$nulls":4},"Literary History"]
[{"$nulls":4},"European Film and TV"]
[{"$nulls":4},"European Literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references at the end of each chapters and index."]
[null,null,"Nota di contenuto",null,"1. INTRODUCTION: DEFINING AND DELIMITING THE SPANISH GOTHIC -- 2. PART I - FIRST WAVE GOTHIC (1785–1834) - Chapter 1. Imported Terrors and First Genre Hybrids -- 3. Chapter 2. The Early Spanish Gothic Novel (1800–34) -- 4. PART II - FROM ROMANTICISM TO THE FIN-DE-SIÈCLE (1834–1900) - Chapter 3. Spanish Romanticism and the Gothic -- 5. Chapter 4. From the 1860s to the Fin-de-Siècle: The Development of the Gothic Short Story -- 6. PART III - MODERN AND CONTEMPORARY GOTHIC LITERATURE (1900–2016) - Chapter 5. The Twentieth Century (1900–75): Modernist Spiritualism and Political Gothic -- 7. Chapter 6. From the Death of Franco to the Present: The "]
[{"$nulls":4},"Establishment of Horror and the Gothic Auteur -- 8. PART IV - SPANISH GOTHIC CINEMA (1906–2016) - Chapter 7. From Segundo de Chomón to the Rise and Fall of ‘Fantaterror’ -- 9. Chapter 8. The Post-Millennial Horror Revival: Auteurs, Gothic (Dis)Continuities and National History -- 10. Conclusion: A Language of Collaboration and Liberation. ."]
[null,null,null,"Sommario/riassunto","This book presents the first English introduction to the broad history of the Gothic mode in Spain. It focuses on key literary periods, such as Romanticism, the fin-de-siècle, spiritualist writings of the early-twentieth century, and the cinematic and literary booms of the 1970s and 2000s. With illustrative case studies, Aldana Reyes demonstrates how the Gothic mode has been a permanent yet ever-shifting fixture of the literary and cinematic landscape of Spain since the late-eighteenth century. He proposes that writers and filmmakers alike welcomed the Gothic as a liberating and transgressive artistic language."]