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[null,"1.","Record Nr.",null,"UNINA9910253337003321"]
[null,null,"Titolo",null,"British TV Comedies : Cultural Concepts, Contexts and Controversies / / edited by Juergen Kamm, Birgit Neumann"]
[null,null,"Pubbl/distr/stampa",null,"London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016"]
[null,null,"ISBN",null,"9781137552952"]
[{"$nulls":4},"1137552956"]
[null,null,"Edizione",null,"[1st ed. 2016.]"]
[null,null,"Descrizione fisica",null,"1 online resource (378 p.)"]
[null,null,"Disciplina",null,"791.45/6170941"]
[null,null,"Soggetti",null,"Ethnology"]
[{"$nulls":4},"Culture"]
[{"$nulls":4},"Motion pictures"]
[{"$nulls":4},"Television broadcasting"]
[{"$nulls":4},"Communication"]
[{"$nulls":4},"Motion pictures - History"]
[{"$nulls":4},"Mass media"]
[{"$nulls":4},"Arts"]
[{"$nulls":4},"Regional Cultural Studies"]
[{"$nulls":4},"Film and Television Studies"]
[{"$nulls":4},"Media and Communication"]
[{"$nulls":4},"Film and TV History"]
[{"$nulls":4},"Media Sociology"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction: the aesthetics and politics of British tv comedy -- The 1950s and 1960s: beginnings of the British sitcom and the satire boom. Richard Kilborn (Stirling): A golden age of British sitcom? Hancock's half hour and Steptoe and son -- Bernd Lenz (Passau): \"Your little game\": myth and war in Dad's army (1968-1977) -- Alexander Brock (Halle/Saale): The struggle of class against class is a what struggle? Monty Python's Flying circus and its politics -- Mary Irwin (Northumbria): the rag trade: \"everybody out!\" gender, politics and class on the factory floor -- The 1970s and 1980s: new loyalties, histories and collective identities: post-familiar paradigms. Nora Plesske (Braunschweig): \"Sambo\" and \"Snowflake\": race and race "]
[{"$nulls":4},"relations in Love thy neighbour -- Paul Davies (Passau): \"You snobs! you stupid stuck-up toffee-nosed half-witted upper-class piles of pus! Basil Fawlty's touch of class and other hotel matters in Fawlty towers -- Jürgen Kamm (Passau): Ignorant master, capable servants: the politics of Yes minister and Yes prime minister -- Eckart Voigts (Braunschweig): Zany \"alternative comedy\": The young ones vs. Margaret Thatcher -- Gerold Sedlmayr (Dortmund): The uses of history in Blackadder -- Deirdre Osborne (London): With some additional information from Stephen Bourne (London): Black British comedy: Desmond's and the changing face of television -- The 1990s: (un)doing gender and race. Jochen Petzold (Regensburg): Laughing at racism or laughing with the racists? the \"Indian comedy\" of Goodness gracious me -- Rainer Emig (Mainz): Exploding family values, lampooning feminism, exposing consumerism: Absolutely fabulous -- Lucia Krämer (Hanover): Comic strategies of inclusion and \"normalisation\" in the Vicar of Dibley -- John Hill (London): Subverting the sitcom from within: form, ideology and Father Ted -- Marion Gymnich (Bonn): \"The lady of the house speaking\": the conservative portrayal of English class stereotypes in Keeping up appearances -- Angela Krewani (Marburg): Family life in front of the telly: The Royle family -- Brett Mills (Norwich): Old jokes: One foot in the grave, comedy and the elderly -- The 2000s: Britcom boom \"new Britain = \"cool Britannia\"? -- Anette Pankratz (Bochum): Spin, swearing and slapstick: The thick of it (2005-2012) -- Philip Jacobi (Passau): Life is stationary: mockumentary and embarrassment in The office (2001-2003) -- Joanna Rostek and Dorothea Will (Passau): From ever-lusting individuals to ever-lasting couples: Coupling (2000-2004) and emotional capitalism -- Oliver Lindner (Kiel): The comic nation: Little Britain and the politics of representation -- Stephan Karschay (Passau): Laughing in horror: hybrid genre and the grotesque body in Psychoville."]
[null,null,null,"Sommario/riassunto","This collection offers an overview of British TV comedies, ranging from the beginnings of sitcoms in the 1950s to the current boom of 'Britcoms'. It provides in-depth analyses of major comedies, systematically addressing their generic properties, filmic history, humour politics and cultural impact."]