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[null,"1.","Record Nr.",null,"UNINA990008315340403321"]
[null,null,"Titolo",null,"Geografia dell'economia mondiale / Sergio Conti ... [et al.]"]
[null,null,"Pubbl/distr/stampa",null,"Torino : Utet, ©2006"]
[null,null,"ISBN",null,"88-6008-039-8"]
[null,null,"Edizione",null,"[Nuova edizione]"]
[null,null,"Descrizione fisica",null,"X, 321 p. : ill. ; 23 cm"]
[null,null,"Collana",null,"Geografia, ambiente, territorio"]
[null,null,"Disciplina",null,"330.9"]
[{"$nulls":4},"050.001"]
[null,null,"Locazione",null,"FSPBC"]
[{"$nulls":4},"DECGE"]
[null,null,"Collocazione",null,"VII A 782"]
[{"$nulls":4},"050.001.CON.03"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910963278403321"]
[null,null,"Autore",null,"Longeaux y Vasquez Enriqueta"]
[null,null,"Titolo",null,"Enriqueta Vasquez and the Chicano movement : writings from El grito del norte / / Enriqueta Vasquez ; edited by Lorena Oropeza and Dionne Espinoza ; with a foreword by John Nichols and a preface by Enriqueta Vasquez"]
[null,null,"Pubbl/distr/stampa",null,"Houston, Tex., : Arte Publico Press, c2006"]
[null,null,"ISBN",null,"9781611926514"]
[{"$nulls":4},"1611926513"]
[{"$nulls":4},"9781611920413"]
[{"$nulls":4},"1611920418"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"liii, 231 p. : ill"]
[null,null,"Collana",null,"Hispanic civil rights series"]
[null,null,"Disciplina",null,"305.868/72079"]
[null,null,"Soggetti",null,"Chicano movement"]
[{"$nulls":4},"Mexican Americans - Politics and government - 20th century"]
[{"$nulls":4},"Mexican Americans - Social conditions - 20th century"]
[{"$nulls":4},"Southwest, New Race relations"]
[{"$nulls":4},"United States Race relations"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"Introduction : \"Viviendo y luchando : the life and times of Enriqueta Vasquez\" / Lorena Oropeza -- Conclusion : \"Rethinking cultural nationalism and La Familia through women's communities : Enriqueta Vasquez and Chicana feminist thought\" / Dionne Espinoza -- Enriqueta Vazquez and the Chicano movement : writings from El Grito del Norte -- I. Land, race, and poverty -- Introduction -- Discrimination -- Los pobres y los ricos -- This land is our land -- Racism -- \"Communism,\" just a word -- Welfare and work -- More abuses at Santa Fe Pinta -- II. Culture and history -- Introduction -- Teach true values, says La Raza mother -- 'Tis the season, fa la la -- Let's be seen and heard -- 16 de septiembre -- The 16th of September -- La Santa tierra -- La Voz de nuestra cultura I -- La Voz de nuestra cultura II -- La historia del Mestizo -- III. Nation and self-determination -- Introduction -- Somos Aztlán! (English -- ¡Somos Aztlán! (Spanish) -- Our new nation is born -- Se nace nuestra nación -- Let's take a look at the political system -- New levels of awareness -- IV. Chicanas, organize! -- Introduction -- La Chicana : let's build a new life -- The woman of La Raza, part I -- "]
[{"$nulls":4},"The woman of La Raza, part II -- Chicana resolution -- ¡Soy Chicana primero! -- National Chicana Conference, Houston -- V. Corporate institutions and industrial society -- Introduction -- The Church has made us slaves -- Values lost -- Apollo IX -- Smog and money politics -- The Church and the people -- Money, money, money -- The Atomic Age -- Railroad and land -- VI. International politics -- Introduction -- Draft and our youth -- Tío Sam says : \"gimme!\" -- Qué Linda Es Cuba! : part I -- Raza, nos están matando. They are killing us, did you know? -- ¡Qué Linda Es Cuba! : part II -- Kent State -- El Soldado Raso de Hoy -- El Soldado Raso today -- Third world women meet."]
[null,null,null,"Sommario/riassunto","Gathers columns from the Chicano newspaper \"El Grito del Norte,\" where the author's fierce but hopeful voice of protest combined anger and humor to stir her fellow Chicanos to action as she drew upon her own experiences as a Chicana."]
[null,"3.","Record Nr.",null,"UNINA9910251403203321"]
[null,null,"Autore",null,"D'Artois Florence <1980->"]
[null,null,"Titolo",null,"Du nom au genre : Lope de Vega, la tragedia et son public / / Florence D'Artois"]
[null,null,"Pubbl/distr/stampa",null,"Casa de Velázquez, 2017"]
[{"$nulls":4},"Madrid : , : Casa de Velázquez, , 2017"]
[null,null,"ISBN",null,"84-9096-187-5"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Collana",null,"Bibliothèque de la Casa de Velázquez, , 1132-7340 ; ; volume 68"]
[null,null,"Disciplina",null,"862.3"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,null,"Sommario/riassunto","À une époque où toutes les pièces étaient normalement désignées par une étiquette hypergénérique, celle de come­dia, Lope de Vega (1562-1635) a écrit six pièces qu’il a appelées tragedias et une trentaine de tragicomedias. Or la tragédie en Espagne était peu représentée hors du cadre des théâtres commerciaux, les corrales de comedias. Dans ces conditions, comment une idée de la tragédie suffisamment consistante pour être mobilisée dans les mécanismes de composition et de réception du théâtre de Lope a-t-elle pu se former ? Cet ouvrage explore d’abord la formation de compétences génériques du public du corral, à partir de deux ensembles en amont de la tragédie lopesque : les œuvres tragiques écrites entre 1575 et 1585 et les comedias tragiques écrites au tournant du siècle. Il revient ensuite à la tragédie lopesque proprement dite, analysant la formule que Lope instrumentalise à l’envi pour séduire divers types de public, en jouant de la plasticité d’une forme qui se laisse adapter ad hoc.   En una época en que todas las obras se designaban indistintamente con la etiqueta hipergenérica de «comedia», Lope de Vega escribió seis obras teatrales que llamó «tragedias» y unas treinta «tragicomedias». Sin embargo, la tragedia española se consideraba como un género ajeno al mundo de los teatros comerciales, los «corrales de comedias». En estas condiciones, ¿cómo pudo tomar cuerpo una idea de la tragedia suficientemente sólida en los mecanismos de composición y recepción del teatro de Lope?  Este libro explora en primer lugar la formación de la capacidad del público del corral para apreciar géneros a partir de dos "]
[{"$nulls":4},"conjuntos de piezas: el de la obras trágicas escritas al final del reinado de Felipe II y el de las comedias trágicas a finales del siglo XVI. En un segundo momento, se centra en la tragedia lopesca propiamente dicha, una fórmula que Lope instrumentaliza a su antojo en el segundo decenio del siglo XVII para seducir varios tipos de públicos, jugando con la…"]