{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":32,"n_cols":5,"rows_kept":32,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[4,2,4,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[9,2,9,3],[10,2,10,3],[21,2,21,3],[22,2,22,3],[26,2,26,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910213857303321"]
[null,null,"Titolo",null,"Emerging Bodies : The Performance of Worldmaking in Dance and Choreography / Gabriele Klein, Sandra Noeth"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld, : transcript Verlag, 2014"]
[{"$nulls":4},"2014, c2011"]
[null,null,"ISBN",null,"9783839415962"]
[{"$nulls":4},"3839415969"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (265 p.)"]
[null,null,"Collana",null,"TanzScripte"]
[null,null,"Disciplina",null,"792.62"]
[null,null,"Soggetti",null,"Dance"]
[{"$nulls":4},"Choreography"]
[{"$nulls":4},"Media"]
[{"$nulls":4},"Psychoanalysis"]
[{"$nulls":4},"Gender"]
[{"$nulls":4},"Interculturalitity"]
[{"$nulls":4},"Imagination"]
[{"$nulls":4},"Body"]
[{"$nulls":4},"Arts"]
[{"$nulls":4},"Cultural Theory"]
[{"$nulls":4},"Theatre Studies"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"1 Contents    5 Introduction    7 Dancing Politics: Worldmaking in Dance and Choreography    17 Between Intervention and Utopia: Dance Politics    29 Dance and Work: The Aesthetic and Political Potential of Dance    47 The Collective That Isn't One    61 Jérôme Bel and Myself: Gender and Intercultural Collaboration    73 Transnationalism and Contemporary African Dance: Faustin Linyekula    83 Flee(t)ing Dances! Initiatives for the Preservation and Communication of Intangible World Heritage in Museums    93 The Bluff of Contemporary Dance    107 Transcription - Materiality - Signature. Dancing and Writing between Resistance and Excess    119 Autobiography and the Coulisses: Narrator, Dancer, Spectator    137 Dance Images. Dance Films as an Example of the Representation and Production of Movement    149 Against the Beat. Music, Dance and the Image in Michelangelo Antonioni's Blow-Up    "]
[{"$nulls":4},"163 Gesture Capture: Paradigms in Interactive Music/ Dance Systems    183 Tables of Weights and Measures: Architecture and the Synchronous Objects Project    195 Synchronous Objects, Choreographic Objects, and the Translation of Dancing Ideas    207 Communicating, Distilling, Catalyzing. On the Creation of Dance Congress Worlds    225 Situational Worlds. Complicity as a Model of Collaboration    235 Protocols of Encounter: On Dance Dramaturgy    247 Notes on Contributors    257     264"]
[null,null,null,"Sommario/riassunto","The concept of »worldmaking« is based on the idea that ›the world‹ is not given, but rather produced through language, actions, ideas and perception. This collection of essays takes a closer look at various hybrid and disparate worlds related to dance and choreography. Coming from a broad range of different backgrounds and disciplines, the authors inquire into the ways of producing ›dance worlds‹: through artistic practice, discourse and media, choreographic form and dance material.The essays in this volume critically reflect the predominant topos of dance as something fleeting and ephemeral – an embodiment of the Other in modernity. Moreover, they demonstrate that there is more than just one universal »world of dance«, but rather a multitude of interrelated dance worlds with more emerging every day."]
[{"$nulls":4},"»Auf wissenschaftlich anspruchsvollem Niveau wird [mit diesem Buch] die Annahme begründet, dass Tanz seine Wirksamkeit nicht in der Repräsentation existierender Strukturen und Systeme entfaltet, sondern gerade durch das Anbieten von Alternativen – von Utopien, entwickelt mit der Hilfe des Körpers und durch die Organisation der Bewegung.«"]
[{"$nulls":4},"»Die beiden Herausgeberinnen bieten [...] einen umfassenden Einblick in praktische Positionen und theoretische Diskurse der internationalen Tanz- und Performancekunst.«"]
[{"$nulls":4},"Reviewed in:http://danse.revues.org, 17.12.2014, Valeria De Luca"]