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[null,"1.","Record Nr.",null,"UNINA9910213827703321"]
[null,null,"Autore",null,"Sirc Geoffrey Michael"]
[null,null,"Titolo",null,"English composition as a happening / / Geoffrey Sirc"]
[null,null,"Pubbl/distr/stampa",null,"Logan, Utah, : Utah State University Press, c2002"]
[null,null,"ISBN",null,"9786613266897"]
[{"$nulls":4},"9781283266895"]
[{"$nulls":4},"128326689X"]
[{"$nulls":4},"9780874214635"]
[{"$nulls":4},"0874214637"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (350 p.)"]
[null,null,"Disciplina",null,"808/.042/071"]
[null,null,"Soggetti",null,"English language - Rhetoric - Study and teaching - Psychological aspects"]
[{"$nulls":4},"English language - Rhetoric - Study and teaching - Social aspects"]
[{"$nulls":4},"Academic writing - Study and teaching - Psychological aspects"]
[{"$nulls":4},"Academic writing - Study and teaching - Social aspects"]
[{"$nulls":4},"Language and culture"]
[{"$nulls":4},"Happenings (Art)"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [295]-309) and index."]
[null,null,"Nota di contenuto",null,"CONTENTS; 0 THE STILL-UNBUILT HACIENDA; 1 \"WHAT IS COMPOSITION . . . ?\" AFTER DUCHAMP (Notes Toward a General Teleintertext); 2 THE AMERICAN ACTION WRITERS; 3 SCENES FROM LATE SIXTIES COMPOSITION; 4 WRITING CLASSROOM AS A & P PARKING LOT; 5 NEVER MIND THE TAGMEMICS, WHERE'S THE SEX PISTOLS?; 6 ENGLISH COMPOSITION AS A HAPPENING II; REFERENCES; Bonus Track FUNERAL CEREMONY OF THE ANTI-PROCÈS II A happening for CCCC; INDEX; ABOUT THE AUTHOR"]
[null,null,null,"Sommario/riassunto","What happened to the bold, kicky promise of writing instruction in the 1960s? The current conservative trend in composition is analyzed allegorically by Geoffrey Sirc in this book-length homage to Charles Deemer's 1967 article, in which the theories and practices of Happenings artists (multi-disciplinary performance pioneers) were used to invigorate college writing. Sirc takes up Deemer's inquiry, moving through the material and theoretical concerns of such pre- and post-Happenings influences as Duchamp and Pollock, situationists and "]
[{"$nulls":4},"punks, as well as many of the Happenings artists proper"]