{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":28,"n_cols":5,"rows_kept":28,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[3,2,3,3],[13,2,13,3],[14,2,14,3],[15,2,15,3],[19,2,19,3],[20,2,20,3],[24,2,24,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910172221703321"]
[null,null,"Titolo",null,"Visual culture / / edited by Chris Jenks"]
[null,null,"Pubbl/distr/stampa",null,"New York, : Routledge, 1995"]
[null,null,"ISBN",null,"1-351-53751-2"]
[{"$nulls":4},"1-134-84479-4"]
[{"$nulls":4},"1-138-13769-3"]
[{"$nulls":4},"1-315-08424-4"]
[{"$nulls":4},"1-351-53752-0"]
[{"$nulls":4},"1-138-87998-3"]
[{"$nulls":4},"0-203-42644-4"]
[{"$nulls":4},"0-203-29890-X"]
[{"$nulls":4},"1-280-15686-4"]
[{"$nulls":4},"1-134-84480-8"]
[null,null,"Descrizione fisica",null,"1 online resource (282 p.)"]
[null,null,"Disciplina",null,"700/.1/03"]
[null,null,"Soggetti",null,"Arts, Modern - 20th century"]
[{"$nulls":4},"Arts and society"]
[{"$nulls":4},"Popular culture"]
[{"$nulls":4},"Visual communication"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Originally published in print: 1995."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Book Cover; Title; Contents; List of figures; List of contributors; Acknowledgements; THE CENTRALITY OF THE EYE IN WESTERN CULTURE: AN INTRODUCTION; ADVERTISING: THE RHETORICAL IMPERATIVE; REPORTING AND VISUALISING; FRACTURED SUBJECTIVITY; THE CITY, THE CINEMA: MODERN SPACES; FABULOUS CONFUSION! POP BEFORE POP?; AN ART OF SCHOLARS: CORRUPTION, NEGATION AND PARTICULARITY IN PAINTINGS BY RYMAN AND RICHTER; WATCHING YOUR STEP: THE HISTORY AND PRACTICE OF THE FLNEUR; REICH DREAMS: RITUAL HORROR AND ARMOURED BODIES; TELEVISION: NOT SO MUCH A VISUAL MEDIUM, MORE A VISIBLE OBJECT"]
[{"$nulls":4},"FOUCAULT'S OPTICS: THE (IN) VISION OF MORTALITY AND MODERNITYMANAGING 'TRADITION': THE PLIGHT OF AESTHETIC PRACTICES AND THEIR ANALYSIS IN A TECHNOSCIENTIFIC CULTURE; PHOTOGRAPHY AND MODERN VISION: THE SPECTACLE OF 'NATURAL "]
[{"$nulls":4},"MAGIC'; THREE IMAGES OF THE VISUAL: EMPIRICAL, FORMAL AND NORMATIVE; Index"]
[null,null,null,"Sommario/riassunto","This collection of original and exciting essays explores the 'visual' character of contemporary culture. Examining film, painting, propaganda, photography and television, this is an indispensible guide to this field."]