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[null,"1.","Record Nr.",null,"UNINA9910166637303321"]
[null,null,"Autore",null,"Kara Hanif"]
[null,null,"Titolo",null,"Design engineering refocused / / Hanif Kara and Daniel Bosia"]
[null,null,"Pubbl/distr/stampa",null,"Chichester, [England] : , : Wiley, , 2016"]
[{"$nulls":4},"©2016"]
[null,null,"ISBN",null,"1-119-16485-0"]
[{"$nulls":4},"1-119-16486-9"]
[{"$nulls":4},"1-119-16483-4"]
[null,null,"Descrizione fisica",null,"1 online resource (243 p.)"]
[null,null,"Collana",null,"AD Smart"]
[{"$nulls":4},"THEi Wiley ebooks"]
[null,null,"Disciplina",null,"729"]
[null,null,"Soggetti",null,"Architectural design"]
[{"$nulls":4},"Engineering design"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"DESIGN ENGINEERING REFOCUSED; CONTENTS; ACKNOWLEDGEMENTS; FUTURE FOCUS; ENGINEERING AS EXPLORATION; PART 1: INTRODUCTION AND TER; 1 THE 'PINK NOISE' OF DESIGN ENGINEERING; THE PRESENT CONDITION AND REDEFINITION OF DESIGN ENGINE; THE DESIGN ENGINEER AS PRACTITIONER; PARS PRO TOTO; SUSTAINING THE OUTCOMES THROUGH ECONOMIC CHALLENGES TODAY; REFERENCES; TEXT; IMAGES; 2 DIGITAL TO POST-DIGITAL; REFERENCES; TEXT; IMAGES; 3 SO DIGITAL, IT'S ANALOGUE; CONTINUITY DECONSTRUCTED; MATURITY OF MIND AND TOOL; THE MISLED SURFACE FETISH; GEOMETRIC CURRENCY OF COMPILING MATTER; PARTICLES AND WAVES; REFERENCES"]
[{"$nulls":4},"TEXTIMAGES; 4 ARCHITECTURE-ENGINEERING INTERFACE; TRANSLATION INTERFACE: TAKING ADVANTAGE OF COMMON REPRESENTATIONS; Automation: DRL 10 Pavilion; Structural expression over geometric substrate: Clyde Lane House; COMMUNICATION INTERFACE: NAVIGATING THE ISSUE OF CONTROL; Cross-disciplinary observables: UK Pavilion, Shanghai Expo; Exploring the implications of design decisions: Heydar Aliyev Center; INTUITION INTERFACE: COMPUTER-HUMAN INTERFACE FOR DESIGN; Effect as design input: Guggenheim Vilnius; Shifting paradigm, from assembly to distribution - Topostruct; Interfaces as paradigms"]
[{"$nulls":4},"REFERENCESTEXT; IMAGES; 5 ABACUS AND SKETCH; CASE STUDIES; ST "]
[{"$nulls":4},"PAUL'S CATHEDRAL; MUNICH OLYMPIC STADIUM; SYDNEY OPERA HOUSE; DOWNLAND GRIDSHELL; CONCLUSION; REFERENCES; TEXT; IMAGES; 6 DIGITAL DEXTERITY; DESIGN STUDIO CURRICULUM AND MATERIAL-BASED STUDIES; INTERPRETATION AND DEVELOPMENT OF STRUCTURAL MODELS IN ARCHITECTURAL EDUCATION; CONCLUSIONS; REFERENCES; TEXT; IMAGES; 7 DIGITAL VERNACULAR; DIGITAL FABRICATION; WHAT CAN BE LEARNT FROM VERNACULAR ARCHITECTURE?; ADDIS ABABA EXPERIMENT ON BUILDING ENVELOPES; CONSTRUCTION AND INDUSTRY; NEW MATERIALITY; WHERE DO WE GO FROM HERE?; REFERENCES"]
[{"$nulls":4},"TEXTIMAGES; PART 2: HEFT, ONTOLOGY AND HORIZON; 8 GEOMETRY AND ORGANISATION; REFERENCES; TEXT; IMAGES; 9 MATERIAL MATTER; MATERIAL WORLD; FIBRE-REINFORCED POLYMER; TEXT; IMAGES; 10 STRUCTURAL DYNAMICS; TEXT; IMAGES; 11 FORCES OF NATURE; OUTDOOR MICROCLIMATE COMFORT; BIOCLIMATIC COMFORT TOOLKIT; INTERROGATING THE SIMULATION; THE IMMEDIATE FUTURE; THE TASK OF VALIDATION; TEXT; IMAGES; 12 STRUCTURAL SKINS; TRADITIONAL CONSTRUCTION OF BUILDINGS; STRUCTURAL ENVELOPES; DRAWING STUDIO AT THE ARTS UNIVERSITY BOURNEMOUTH; SURFACE GEOMETRY; STRUCTURAL WEIGHT/COST OPTIMISATION; STIFFENERS PATTERN"]
[{"$nulls":4},"FABRICATIONSITE ASSEMBLY; TEXT; IMAGES; 13 HYBRID SHELLS; CONCRETE HYBRID SHELLS; STEEL HYBRID SHELLS; CONCLUSION; TEXT; IMAGES; 14 TENSILE STRUCTURES; GEOMETRIC PRINCIPLES AND FORMS; FORM-FINDING AND COMPUTATIONAL APPROACH; ANALYSIS/DESIGN; CASE STUDY: CATENARY ROOF; CONCLUSION; AIR-SUPPORTED STRUCTURES; HISTORY; SUSTAINABILITY; REDISCOVERY; MATERIALITY; THE FUTURE; REFERENCES; TEXT; IMAGES; 15 INTERWEAVING PRACTICE; PACKAGE VS INTERFACE; ANALYSIS VS SYNTHESIS; AL FAYAH PARK; MERCHANT SQUARE; CENTRAL BANK OF IRAQ; SILO VS HYBRID; THE BEYOND; REFERENCES; TEXT; IMAGES; EDITOR BIOGRAPHIES"]
[{"$nulls":4},"PROFESSOR HANIF KARA"]