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[null,"1.","Record Nr.",null,"UNISA996203948603316"]
[null,null,"Titolo",null,"Feed & grain : your information resource for profitable growth"]
[null,null,"Pubbl/distr/stampa",null,"Fort Atkinson, WI, : Johnson Hill Press"]
[{"$nulls":4},"Fort Atkinson, WI, : Cygnus Business Media"]
[null,null,"ISSN",null,"2160-3189"]
[null,null,"Disciplina",null,"338"]
[null,null,"Soggetti",null,"Flour industry"]
[{"$nulls":4},"Feed industry"]
[{"$nulls":4},"Grain trade"]
[{"$nulls":4},"Flour industry - Equipment and supplies"]
[{"$nulls":4},"Feed industry - Equipment and supplies"]
[{"$nulls":4},"Grain trade - Equipment and supplies"]
[{"$nulls":4},"Periodicals."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Periodico"]
[null,null,null,"Note generali","December issue called Showcase issue."]
[null,"2.","Record Nr.",null,"UNINA9910166056703321"]
[null,null,"Autore",null,"Deiss Mélanie-Chantal <p>Mélanie-Chantal Deiss, Universität Zürich, Schweiz </p>"]
[null,null,"Titolo"]
[{"$nulls":4},"»Deeply Superficial« : Andy Warhols Amerika-Images der 1950er und 1960er als Kulturkritik / Mélanie-Chantal Deiss"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld, : transcript Verlag, 2015"]
[null,null,"ISBN",null,"9783839431726"]
[{"$nulls":4},"3839431727"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Collana",null,"Image"]
[null,null,"Classificazione",null,"LI 95130"]
[null,null,"Disciplina",null,"700"]
[null,null,"Soggetti",null,"Andy Warhol"]
[{"$nulls":4},"Pop Art"]
[{"$nulls":4},"America"]
[{"$nulls":4},"Amerika"]
[{"$nulls":4},"Nachkriegszeit"]
[{"$nulls":4},"Post-war"]
[{"$nulls":4},"Kunst"]
[{"$nulls":4},"Art"]
[{"$nulls":4},"Kulturgeschichte"]
[{"$nulls":4},"Cultural History"]
[{"$nulls":4},"Amerikanische Kunst"]
[{"$nulls":4},"American Art"]
[{"$nulls":4},"Amerikanistik"]
[{"$nulls":4},"American Studies"]
[{"$nulls":4},"Bildwissenschaft"]
[{"$nulls":4},"Visual Studies"]
[{"$nulls":4},"Kunstwissenschaft"]
[{"$nulls":4},"Fine Arts"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","In place of the entanglement of person and work that so strongly marks the artistic work of Andy Warhol, and settles it in the usual Pop Art context, Mèlanie-Chantal Deiss locates it within the cultural context of America's post-war period. Viewed from this perspective, Warhol's work - which tends to be classified as superficial and ahistorical – exhibits unexpectedly serious engagements with concerns of the 1950s and 1960s. Throughout his image series, expressive, somewhat ambivalent narrative strands from America's post-war period unfurl, which "]
[{"$nulls":4},"transmit a concrete image, as a kind of written historical document. Warhol's visualized narration ultimately culminates in a cultural critique, which treats America not just as a stage of images, but also as site of contemplation of a cultural imaginary, in which art can critically and productively intervene."]
[null,null,"Nota di contenuto",null,"Frontmatter    1 Inhalt    5 Vorwort    7 Warhol made in USA    9 Amusement    57 Think Prosperity, Have Prosperity    133 Bold and Beautiful    187 TROUmatic    247 USA made by Warhol    295 Bibliografie und Abbildungsverzeichnis    317 Backmatter    329"]
[null,null,null,"Sommario/riassunto","Anstatt die Verschränkung von Person und Werk, welche konsequent die künstlerische Arbeit von Andy Warhol prägt, im gängigen Kontext der Pop Art anzusiedeln, verortet Mélanie-Chantal Deiss sie im kulturellen Zusammenhang der Nachkriegszeit in Amerika. In Warhols Werk, das tendenziell als oberflächlich und ahistorisch eingestuft wird, zeichnen sich in dieser Perspektive unerwartet ernste Anliegen der 1950er und 1960er ab. Entlang von Warhols Bild-Serien entfalten sich aussagekräftige, teils ambivalente Erzählstränge zur Nachkriegszeit Amerikas, die ein konkreteres Bild als schriftliche Zeitdokumente vermitteln.Warhols visualisierte Narration kulminiert schließlich in einer Kulturkritik, die Amerika nicht nur als Schauplatz der Bilder behandelt, sondern auch als Ort des Nachdenkens, des kulturellen Imaginären, an welchem die Kunst kritisch produktiv interveniert."]