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[null,"1.","Record Nr.",null,"UNINA9910165129903321"]
[null,null,"Autore",null,"Cummings Ray"]
[null,null,"Titolo",null,"The Exile of Time"]
[null,null,"Pubbl/distr/stampa",null,"London : , : Copyright Group, , 2015"]
[{"$nulls":4},"©2015"]
[null,null,"ISBN",null,"1-78543-175-7"]
[null,null,"Descrizione fisica",null,"1 online resource (118 pages)"]
[null,null,"Disciplina",null,"813.54"]
[null,null,"Soggetti",null,"Science fiction, American"]
[{"$nulls":4},"Male friendship"]
[{"$nulls":4},"Time travel"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Raymond King Cummings was born on August 30th, 1887 in New York. He is considered one of the \"founding fathers\" of science fiction. Cummings was nothing if not prolific, penning more than 750 works for pulp magazines such as Weird Tales and literary publications such as Argosy. Cummings generally wrote under his own name but also as Ray King, Gabrielle Cummings and Gabriel Wilson (a joint pseudonym with his second wife, writer Gabrielle Wilson). Cummings is credited with being the first to write of such notions as artificial gravity, invisibility cloaks and paralyzer rays many of these concepts appeared in novel-length \"space operas\" and serializations."]
[null,"2.","Record Nr.",null,"UNINA9910824698403321"]
[null,null,"Autore",null,"Mattison Andrew"]
[null,null,"Titolo",null,"Solitude and Speechlessness : Renaissance Writing and Reading in Isolation / / Andrew Mattison"]
[null,null,"Pubbl/distr/stampa",null,"Toronto : , : University of Toronto Press, , [2019]"]
[{"$nulls":4},"©2019"]
[null,null,"ISBN",null,"1-4875-1933-8"]
[{"$nulls":4},"1-4875-1932-X"]
[null,null,"Descrizione fisica",null,"1 online resource (269 pages)"]
[null,null,"Classificazione",null,"cci1icc"]
[null,null,"Disciplina",null,"820.9/003"]
[null,null,"Soggetti",null,"English literature - Early modern, 1500-1700 - History and criticism"]
[{"$nulls":4},"Criticism, interpretation, etc."]
[{"$nulls":4},"England"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Lyric Futures: Hidden Ambitions in the Sidney-Pembroke Circle -- Nameless Orphans: Ambitious Poetry in an Age of Modesty -- The Peril of Understanding: Forms of Obscurity -- The Lure of Solitude: Melancholy and Eremitism as Literary Dispositions -- The Naked Sense of Retirement: Cowley, Marvell, Traherne -- Literary History in Isolation: Bacon, Hofmannsthal, and Historical Memory."]
[null,null,null,"Sommario/riassunto","\"Recent literary criticism, along with academic culture at large, has stressed collaboration as essential to textual creation and sociability as a literary and academic virtue. Solitude and Speechlessness proposes an alternative understanding of writing with a complementary mode of reading: literary engagement, it suggests, is the meeting of strangers, each in a state of isolation. The Renaissance authors discussed in this study did not necessarily work alone or without collaborators, but they were uncertain who would read their writings and whether those readers would understand them. These concerns are represented in their work through tropes, images, and characterizations of isolation. The figure of the isolated, misunderstood, or misjudged poet is a preoccupation that relies on imagining the lives of wandering and complaining youths, eloquent melancholics, exemplary hermits, homeless orphans, and retiring stoics; such figures acknowledge the isolation in literary experience. As a response to this isolation of literary connection, Solitude and Speechlessness proposes an "]
[{"$nulls":4},"interpretive mode it defines as strange reading: a reading that merges comprehension with indeterminacy and the imaginative work of interpretation with the recognition of historical difference.\"--"]