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[null,"1.","Record Nr.",null,"UNISOBE600200062051"]
[null,null,"Autore",null,"Leibniz, Gottfried_Wilhelm"]
[null,null,"Titolo",null,"2. Reihe: Philosophischer Briefwechsel / Gottfried Wilhelm Leibniz"]
[null,null,"Pubbl/distr/stampa",null,"Berlin : Akademie Verlag"]
[null,null,"Descrizione fisica",null,"v. ; 25 cm"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910163322003321"]
[null,null,"Autore",null,"Schulz Charles M (Charles Monroe), <1922-2000, >"]
[null,null,"Titolo",null,"Snoopy features as the flying ace / / Charles M. Schulz"]
[null,null,"Pubbl/distr/stampa",null,"[Wheaton, Illinois] : , : Peanuts, , 2000"]
[{"$nulls":4},"New York, New York : , : Open Road Integrated Media, Inc., , [date of distribution not identified]"]
[{"$nulls":4},"©2000"]
[null,null,"ISBN",null,"1-5040-0065-X"]
[null,null,"Descrizione fisica",null,"1 online resource (130 p.)"]
[null,null,"Collana",null,"Peanuts"]
[null,null,"Disciplina",null,"741.5973"]
[null,null,"Soggetti",null,"Dogs"]
[{"$nulls":4},"Snoopy (Fictitious character)"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"Cover; Title Page; Copyright; Snoopy the Flying Ace"]
[null,null,null,"Sommario/riassunto","From his earliest memories, Charles M. Schulz knew that all he wanted to do was \"draw funny pictures.\" Schulz was born in Minneapolis, Minnesota, in 1922, and his love for cartoons was fostered by his father in a shared appreciation for the Sunday funnies. As a senior in high school, at the prompting of his mother, he completed a correspondence cartoon course with the Federal School of Applied Cartooning. Schulz continued his studies in art as the genre of the cartoon began to change-adopting simplistic, minimalistic styles that, conveniently, allowed Schulz to showcase his dry, self-effacing"]